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Sonny Rollins - Jazz Master - Solo Transcription With Analysis (book & mp3) [by Djangowes] - waiting for moderation

Artist: ahavishnu Orchestra
Title Of Album: Original Album Classics
Year Of Release: 2007
Label: Sony BMG
Genre: Jazz Rock, Fusion
Format: MP3
Quality: 320 kbps I 44.1 Khz I Joint Stereo
Total Time: 03:39:50
Total Size: 521 mb
WebSite: discogs.com

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Thierry Mineau- Paris feat. Bireli Lagrene (1992)

Label : DIVERS
Genre : JAZZ Fusion
Date de parution 25/12/1999
Format Mp3 320 Kbps
Size 86.1 Mo

Available again this phenomenal French bassist leads a fine European group through some burning instrumentals. With special guests Mike Stern, Frank Gambale, Bireli Lagrene on guitar; Toots Thielemans, harmonica; Billy Cobham, drums and Mino Cinelu on percussion.

http://www.mes-cd.com/M/MineauThierry.html

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Artist: Jean-Luc Ponty
Album: Tchokola
Quality: eac-flac, cue, log, full artwork
Size: 344 MB
Label: Epic/Sony
Runtime: 54:15

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Artist: Cannonball Adderley
Title Of Album: The Black Messiah
Year Of Release: 1972
Label: Capitol
Genre: Soul-Jazz, Jazz-Rock, Fusion
Format: MP3
Quality: 320 kbps I 44.1 Khz I Joint Stereo
Total Time: 01:27:34
Total Size: 202 mb

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Artist - Sabicas with Joe Beck
Album - Rock Encounter
Genre - Flamenco , fusion
Label - Polydor
Format - Mp3 , 320 kbps.
Size - 97 mb.

Agustín Castellón “Sabicas”, con sangre gitana por sus venas, nació en Pamplona, trasladándose a Madrid a temprana edad. Su extensa colaboración con importantes cantaores flamencos de la época, procedente de Andalucía, le ayudó a desarrollar un estilo único: Niña de la Puebla, Juanito Valderrama, Estrellita Castro, Niña de los Peines, El Carbonerillo o Niño de la Calzá, algunos de los cuales le acompaña también en sus grabaciones.
Exiliándose en América del Sur con la bailaora Carmen Amaya, realizan juntos varias giras estableciéndose definitivamente en Nueva York, donde se relaciona con maestros del jazz de la talla de Charles Mingus, Ben E. King, Gill Evans, Thelonius Monk o Miles Davis, donde es tratado como uno más por las discográficas, que distribuyeron sus grabaciones por todo el mundo, regresando a España en1967.
En el “Carnegie Hall” de Nueva York se le tributa lo que sería su último homenaje el 10 de junio de 1989, falleciendo en esa ciudad al año siguiente a los 83 años.
Joe Beck nació en Philadelphia, Pennsylvania, llegó a ser conocido por participar en una de las ediciones eléctricas de los grupos liderados por Miles Davis. Trabajó para Laura Nyro, Duke Ellington, James Brown, Antonio Carlos Jobim o la Fania All Stars entre muchos.
Músico de sesión, productor, y organizador de las carreras musicales de intérpretes del rock o el pop. Siempre se rodeó de grandes instrumentistas, como es, para este proyecto, el bajista Tony Levin, posterior maestro del stick con King Crimson. Joe Beck falleció en Julio de 2008.
“Rock encounter” (1966), aunque en España se publico en 1970, es la primera grabación que se reconoce como intento de fusión flamenco-rock y que en un principio fue un mero experimento, que ni siquiera fue muy valorado por los propio músicos; aunque en realidad “Rock encounter” es una sucesión de interpretaciones, en magistral ejecución de ambos estilos, dándose los músicos entrada uno a otro.
Disco básico y el eslabón principal para entender la fusión del flamenco con el jazz y el rock como la que tuvo Paco de Lucia con el piano de Chick Corea, las cuerdas de John Mc Lauglhin, Carles Benavent, Al Dimeola, Larry Corryel o el viento de Pedro Iturralde y Jorge Pardo entre otros y sobre todo las claras influencias que ejercio sobre bandas del llamado rock andaluz : Smash, Triana, Cai, Guadalquivir, Alameda, Imán Califato independiente, Tableton y muchos más.

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Artist: Mick Karn
Album: Bestial Cluster
Quality: eac-flac, cue, log, artwork
Label: CMP Records (1993)
Runtime: 45:04

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Artist: Frank Zappa & The Mothers of Invention
Title Of Album: Grand Wazoo
Year Of Release: 1972
Label: Rykodisc
Genre: Jazz-Rock, Fusion
Format: MP3
Quality: 256 kbps I 44.1 Khz I Joint Stereo
Total Time: 00:37:08
Total Size: 69 mb

Review: by Steve Huey

Like its immediate predecessor, Waka/Jawaka, The Grand Wazoo was a largely instrumental jazz rock album recorded during Frank Zappa’s convalescence from injuries sustained after being pushed off a concert stage. While Zappa contributes some guitar solos and occasional vocals, the focus is more on his skills as a composer and arranger. Most of the five selections supposedly form a musical representation of a story told in the liner notes about two warring musical factions, but the bottom line is that, overall, the compositions here are more memorably melodic and consistently engaging than Waka/Jawaka. The instrumentation is somewhat unique in the Zappa catalog as well, with the band more of a chamber jazz orchestra than a compact rock unit; over 20 musicians and vocalists contribute to the record. While Hot Rats is still the peak of Zappa’s jazz-rock fusion efforts, The Grand Wazoo comes close, and it’s essential for anyone interested in Zappa’s instrumental works.

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Artist: Alphonse Mouzon
Title Of Album: The Survivor
Year Of Release: 1992
Label: Tenacious Records
Genre: Jazz, Fusion
Format: MP3
Quality: 192 kbps I 44.1 Khz I Joint Stereo
Total Time: 00:50:46
Total Size: 79 mb

Review: by Jonathan Widran

In light of his extensive and diverse jazz fusion resume (Weather Report, Dizzy, Miles), it would be easy to criticize multi-instrumentalist Alphonse Mouzon’s The Survivor as an unsophisticated turn by an artist who has dug deeper in the past. But why not celebrate the collection for what it is—an intensely joyous, tightly played, melodic, energetic blend of pop jazz colors, one which will continue to expose this master to a new audience. Though he offers some lush keyboard musings, Mouzon functions less as a player here than as producer, drawing magnificent lead performances from the genre’s elite—Lee Ritenour, Richard Elliot, George Howard, Brandon Fields, Kirk Whalum, Ernie Watts, and so on. Russ Freeman’s breezy acoustic guitar is reminiscent of the best Rippingtons work. The only drawback is that a drummer of Mouzon’s magnitude would choose to work with drum machines.

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Label: Concord Jazz
Genre: Jazz / Fusion / Soul
Release date: July 19, 2011
Format: mp3, Quality: VBR V0 (~256 kbps)
Size: 124.1 Mb

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Artist: Garage A Trois
Album: Always Be Happy, But Stay Evil
Released: April 12, 2011
Genre: Jazz Rock / Fusion
Format: mp3, Quality: CBR 320 kbps
Size: 100.8 MB

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Andreas Oberg – Six String Evolution (2010)

Label: Resonance Records
Genre Jazz fusion
Date de sortie d’origine : 11 mai 2010
Durée totale: 1:03:27
Format Mp3 320 Kbps
Size 42.7-95 7 Mo

In the liner notes to Six String Evolution, Oberg states that the date features songs that fit his style - My opinion, of his style? He burns tastefully with a Bebop-singe over many genres. The material is diverse, featuring archtop, electric fusion and nylon string guitar-work on a variety of jazz and pop tunes. One of the many great things about the CD is that, even with the changes in instrumentation and style, there is a continuity of thought and vibe that make it easy to listen from beginning to end. Sadly, Oberg’s chops make me contemplate using my L-5 for firewood…He’s soooo good!

Andreas Oberg’s “Six String Evolution” CD features a host of fine players including Oberg on electric and acoustic guitars plus vocals on “Papa Gato” (penned by L.A.‘s own Poncho Sanchez). He has Darmon Meader on saxophone and vocals on “Maniac;” Filo Machado, vocals and vocal percussion; Dave Kikoski, Rhodes piano; John Patitucci, acoustic and electric basses; Decebal Badila, electric bass; Lewis Nash, drums; Charlie Bisharat, violins; Enzo Todesco, percussion; Antal Steixner, cajon; Marius Preda, cymbalom; and John Beasley, synthesizer, percussion, vibes.

Read more at      http://www.lajazz.com/blog19.cfm

Andreas Oberg «Six String Evolution” CD comporte une foule d’acteurs fine, y compris Oberg sur les guitares électriques et acoustiques, plus sa voix sur “Papa Gato” (écrit par Sanchez propre de Los Angeles Poncho).

Il a Darmon Meader au saxophone et au chant sur ​​«Maniac»; Filo Machado, chant et percussions vocales; Dave Kikoski, piano Rhodes, John Patitucci, basses acoustiques et électriques; Decebal Badila, basse électrique; Lewis Nash, tambours; Charlie Bisharat, violons ; Enzo Todesco, percussions; Antal Steixner, cajon, Marius Preda, cymbalum, et John Beasley, synthétiseur, percussions, vibraphone.

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Artist: Herbie Hancock
Title Of Album: Man Child
Year Of Release: 1975
Label: Columbia
Genre: Jazz Funk
Format: FLAC (Tracks)+CUE, LOG
Quality: Lossless
Total Time: 00:45:00
Total Size: 277 mb

Review by Jim Newsom

Perhaps the funkiest album of Herbie Hancock’s early- to mid-‘70s jazz/funk/fusion era, Man-Child starts off with the unforgettable “Hang Up Your Hang Ups,” and the beat just keeps coming until the album’s end. “Sun Touch” and “Bubbles” are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson’s presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.

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Artist: Herbie Hancock
Title Of Album: Sound-System
Year Of Release: 1984
Label: Sony Rec.
Genre: Jazz, Fusion, Electro, Funk
Format: MP3
Quality: 320 kbps I 44.1 Khz I Joint Stereo
Total Time: 00:33:55
Total Size: 100 mb

Review by Richard S. Ginell

In the grand tradition of sequels, Sound-System picks up from where Future Shock left off—if anything, even louder and more bleakly industrial than before (indeed, “Hardrock” is “Rockit” with a heavier rock edge). Yet Hancock’s experiments with techno-pop were leading him in the general direction of Africa, explicitly so with the addition of the Gambian multi-instrumentalist Foday Musa Suso on half of the tracks. “Junku,” written for the 1984 Olympic Games with Suso’s electrified kora in the lead, is the transition track that stands halfway between “Rockit” and Hancock’s mid-‘80s Afro-jazz fusions. Also, “Karabali” features an old cohort, the squealing Wayne Shorter on soprano sax. Despite succumbing a bit to the overwhelming demand for more “Rockits,” Hancock’s electric music still retained its adventurous edge.

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