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    <title>Qblog</title>
    <link>http://qblog.ws/forums/</link>
    <description>Qblog</description>
    <dc:language>ru</dc:language>
    <dc:rights>Copyright 2010</dc:rights>
    <dc:date>2010-07-31T21:03:11+03:00</dc:date>
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    <item>
      <title>87 contemporary jazz albums</title>
      <link>http://qblog.ws/forums/viewthread/641/</link>
      <guid>http://qblog.ws/forums/viewthread/641/#When:21:03:11Z</guid>
      <description>&lt;p&gt;87 contemporary jazz albums&lt;br /&gt;
with full Info and Cd Covers included&lt;br /&gt;
__________________________________________________________________&lt;br /&gt;
&amp;nbsp;   &lt;br /&gt;
Espen Eriksen Trio (2010) &#45; You Had Me at Goodbye  &lt;br /&gt;
Rufus Reid (2008) &#45; Out Front &amp;nbsp;  &lt;br /&gt;
Linda Oh Trio (2009) &#45; Entry  &lt;br /&gt;
Mike Reed (2008) People, Places &amp;amp; Things &#45; Stories And Negotiations &lt;br /&gt;
Tyshawn Sorey (2009) &#45; Koan &amp;nbsp;  &lt;br /&gt;
Logan Richardson (2006) &#45; Cerebral Flow &amp;nbsp;  &lt;br /&gt;
Glauco Venier, Yuri Goloubev, Asaf Sirkis (2007) &#45; Intermezzo  &lt;br /&gt;
Joel Weiskopf (2005) &#45; Devoted To You &lt;br /&gt;
Ron McClure (1999) &#45; Steeplechase Jam Session Vol. 16  &lt;br /&gt;
Alessandro Galati (1997) &#45; Jason Salad!&amp;nbsp; &lt;br /&gt;
Dave Scott (2007) &#45; Nonchalant &amp;nbsp;  &lt;br /&gt;
Piero Bassini Trio (1993) &#45; Another Dream &amp;nbsp;  &lt;br /&gt;
Fieldwork (2007) &#45; Door &amp;nbsp;  &lt;br /&gt;
Lotte Anker (2000) , Marilyn Crispell, Marilyn Mazur &#45; Poetic Justice  &lt;br /&gt;
Amato Jazz Trio (2008) &#45; Time Pieces for Piano &amp;nbsp; &lt;br /&gt;
Sophia Domancich (2008) &#45; Washed Away, Live At The Sunside &amp;nbsp; &lt;br /&gt;
Ingrid Laubrock (2005) &#45; Forensic &amp;nbsp;   &lt;br /&gt;
Kris Davis (2006) &#45; The Slightest Shift &amp;nbsp;  &lt;br /&gt;
John Escreet (2010) &#45; Don&#8217;t Fight The Inevitable  &lt;br /&gt;
Andrew Bishop (2005) &#45; Time &amp;amp; Imaginary Time &amp;nbsp; &lt;br /&gt;
Gerald Cleaver (2006) &#45; Detroit &amp;nbsp; &lt;br /&gt;
Agnar Magnusson (2008) &#45; Kvika &amp;nbsp;  &lt;br /&gt;
Scott McLemore (2000) with Tony Malaby &#45; Found Music &amp;nbsp;  &lt;br /&gt;
John Hebert (2009) &#45; Byzantine Monkey &lt;br /&gt;
Tim Daisy (2009), James Falzone, Fred Lonberg&#45;Holm &#45; Vox Arcana  &lt;br /&gt;
Francois Raulin (2000) &#45; Trois Plans Sur La Comete &lt;br /&gt;
Triage (2002) &#45; Twenty Minute Cliff &amp;nbsp;  &lt;br /&gt;
Wayne Escoffery &amp;amp; Veneration (2007) &#45; Hopes And Dreams [FLAC]&amp;nbsp; &lt;br /&gt;
The Claudia Quintet With Gary Versace (2009) &#45; Royal Toast &amp;nbsp; &lt;br /&gt;
Francois Raulin (1994) &#45; First Flush &lt;br /&gt;
Daniel Humair, Bruno Chevillon, Tony Malaby (2010) &#45; Pas De Dense  &lt;br /&gt;
Todd Herbert (2007) &#45; The Path To Infinity &amp;nbsp;  &lt;br /&gt;
Alex Sipiagin (2010) &#45; Generations [FLAC]&amp;nbsp;   &lt;br /&gt;
Alessandro Galati Trio (2007) &#45; Cubicq &amp;nbsp;  &lt;br /&gt;
Aki Rissanen (2009) &#45; Beautiful Anxiety &amp;nbsp; &lt;br /&gt;
Kris Davis Quartet (2007) &#45; Rye Eclipse  &lt;br /&gt;
Alexandra Grimal (2009), Lee Konitz, Gary Peacok, Paul Motian &#45; Owls Talk  &lt;br /&gt;
Lotte Anker, Craig Taborn, Gerald Cleaver (2005) &#45; Triptych  &lt;br /&gt;
Sophia Domancich &amp;amp; Raphael Marc (2010) &#45; Lilienmund &amp;nbsp;  &lt;br /&gt;
Open Trio (2007) &#45; Goodbye Everytime  &lt;br /&gt;
Ingrid Laubrock, Liam Noble, Tom Rainey (2007) &#45; Sleepthief  &lt;br /&gt;
Piotr Wylezol (2008) &#45; Children&#8217;s Episodes &lt;br /&gt;
Ivo Perelman, Daniel Levin, Torbjorn Zetterberg (2009) &#45; Soulstorm  &lt;br /&gt;
Michael Attias (2008) &#45; Renku In Coimbra &lt;br /&gt;
Jarek Bothur Quartet (2010) &#45; Lilla Chezquiz &lt;br /&gt;
Joseph Jarman (1999), Myra Melford, Leroy Jenkins &#45; Equal Interest &lt;br /&gt;
John Hebert Trio (2008) &#45; Spiritual Lover  &lt;br /&gt;
Wayne Escoffery &#45; Intuition (2003) [FLAC]&amp;nbsp;  &lt;br /&gt;
Eric Le Lann (1990) &#45; Joue Piaf et Trenet  &lt;br /&gt;
Herbert Joos (2001) &#45; New Bottles Old Wine &amp;nbsp; &lt;br /&gt;
Gerald Cleaver Veil Of Names (2000) &#45; Adjust &amp;nbsp;  &lt;br /&gt;
Eric Le Lann (1996) &#45; Today I Fell In Love &amp;nbsp; &lt;br /&gt;
One For All (1999) &#45; Upward And Onward &amp;nbsp;  &lt;br /&gt;
Jurgen Friedrich (2007) &#45; Pollock  &lt;br /&gt;
Anders Christensen Trio (2009) &#45; Dear Someone  &lt;br /&gt;
David Arner Trio (2007) &#45; Out&#45;In The Open &amp;nbsp; &lt;br /&gt;
Joel Weiskopf (2002) &#45; Change In My Life  &lt;br /&gt;
David Kikoski (2001) &#45; Combinations &amp;nbsp;  &lt;br /&gt;
Michael Bisio Quartet (2006) &#45; Circle This &amp;nbsp; &lt;br /&gt;
Avram Fefer Trio (1999) &#45; Calling All Spirits &amp;nbsp;   &lt;br /&gt;
Stephen Gauci (2004) Trio &#45; We&#8217;re Comin&#8217; Just One Time &amp;nbsp;  &lt;br /&gt;
Jurgen Friedrich (1999) &#45; Surfacing &amp;nbsp;  &lt;br /&gt;
Antoine Herve&#8217; (1997) &#45; Invention Is You &amp;nbsp;  &lt;br /&gt;
Jim Ridl (2005) &#45; Your Cheatin&#8217; Heart And Other Works  &lt;br /&gt;
David Kikoski Trio (2008) &#45; Live At Smalls  &lt;br /&gt;
Marcus Strickland (2007) &#45; Open Reel Deck &lt;br /&gt;
Robert Bonisolo &#45; Open The Cage (2008) [FLAC]&amp;nbsp;  &lt;br /&gt;
Maciej Tubis (2008) &#45; Spelnienie  &lt;br /&gt;
Dave Liebman &amp;amp; Richie Beirach (1978) &#45; Omerta  &lt;br /&gt;
Lotte Anker (1989) Mette Petersen 4et &#45; Beyond The Mist &amp;nbsp; &lt;br /&gt;
Jacob Anderskov (2002) &#45; Even Worse &amp;nbsp; &lt;br /&gt;
Fredrik Lundin (1990) 5tet Feat. Paul Bley &#45; Pieces Of&#8230;&amp;nbsp; &lt;br /&gt;
Claudio Pontiggia (2000) &#45; Aspetti &lt;br /&gt;
Peter Epstein &amp;amp; Idee Fixe (2008) &#45; Abstract Realism &amp;nbsp; &lt;br /&gt;
Ralph Alessi And Modular Theatre (2002) &#45; Open Season &amp;nbsp; &lt;br /&gt;
Mike DiRubbo Quartet (2006) &#45; New York Accent &lt;br /&gt;
Gregory Tardy (2001) &#45; Abundance &amp;nbsp;  &lt;br /&gt;
Miguel Zenon (2009) &#45; Esta Plena &amp;nbsp;  &lt;br /&gt;
Marcus Strickland (2006) Quartets &#45; Twi&#45;Life &amp;nbsp; &lt;br /&gt;
Wayne Escoffery &#45; Times Change (2001) [FLAC]&amp;nbsp; &lt;br /&gt;
Anders Aarum Trio (2006) &#45; First Communion &amp;nbsp;  &lt;br /&gt;
Wallace Roney (2009) &#45; If Only For One Night &amp;nbsp;   &lt;br /&gt;
Thomas Stronen (2004) &#45; Parish  &lt;br /&gt;
Arkady Shilkloper (1997) &#45; Hornology &amp;nbsp; &lt;br /&gt;
Arve Henriksen, Terje Isungset, Karl Seglem (1998) &#45; DAA  &lt;br /&gt;
Fredrik Nordstrom (2009) &#45; Mayday!&amp;nbsp;  &amp;nbsp; &lt;br /&gt;
Pawel Kaczmarczyk (2009) &#45; Complexity In Simplicity &lt;br /&gt;
__________________________________________________________________&lt;/p&gt;

&lt;div class=&quot;codeblock&quot;&gt;&lt;code&gt;&lt;span style=&quot;color: #000000&quot;&gt;
&lt;span style=&quot;color: #0000BB&quot;&gt;http&lt;/span&gt;&lt;span style=&quot;color: #007700&quot;&gt;:&lt;/span&gt;&lt;span style=&quot;color: #FF8000&quot;&gt;//rapidshare.com/files/408751333/87jazfcbi.rar&amp;nbsp;&lt;/span&gt;
&lt;/span&gt;
&lt;/code&gt;&lt;/div&gt;</description>
      <dc:date>2010-07-31T21:03:11+03:00</dc:date>
    </item>

    <item>
      <title>96 contemporary jazz album</title>
      <link>http://qblog.ws/forums/viewthread/633/</link>
      <guid>http://qblog.ws/forums/viewthread/633/#When:01:41:41Z</guid>
      <description>&lt;p&gt;96 contemporary jazz album&lt;br /&gt;
with full Info and Cd Covers included&lt;br /&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#45;&lt;/p&gt;

&lt;p&gt;Oddjob (2009) &#45; Clint  &lt;br /&gt;
Mike LeDonne (2009) &#45; The Groover &lt;br /&gt;
Wayne Escoffery &#45; Veneration (2006) [FLAC]&lt;br /&gt;
Dennis Gonzalez (2008) Jnaana Septet &#45; The Gift Of Discernment  &lt;br /&gt;
Pablo Bobrowicky (2004) &#45; New York Connection  &lt;br /&gt;
Avram Fefer (2003) &#45; Shades Of The Muse  &lt;br /&gt;
Rudresh Mahanthappa (2010) &amp;amp; Steve Lehman &#45; Dual Identity &lt;br /&gt;
Stephen Gauci (2006) Trio &#45; Substratum &lt;br /&gt;
David Binney (2004) &#45; Bastion Of Sanity  &lt;br /&gt;
Kevin Hays (2007) &#45; You&#8217;&#8216;&#8217;&#8216;ve Got A Friend &lt;/p&gt;

&lt;p&gt;Mal Waldron &amp;amp; Nicolas Simion (1995) &#45; The Big Rochade &lt;br /&gt;
Wayne Escoffery &#45; Uptown (2008) [FLAC]&lt;br /&gt;
Vincent Gardner (2008) &#45; Three&#45;Five &lt;br /&gt;
Satoko Fujii Trio (2008) &#45; Trace A River &lt;br /&gt;
Gregory Tardy (2006) &#45; Steps Of Faith &amp;nbsp;  &lt;br /&gt;
Orrin Evans (2009) &#45; Faith In Action &amp;nbsp; &lt;br /&gt;
Tom Harrell (2009) &#45; Roman Nights [FLAC] &lt;br /&gt;
Dave Rempis (2006) Percussion Quartet &#45; Hunter&#45;Gatherers  &lt;br /&gt;
Triage (2004) &#45; American Mythology  &lt;br /&gt;
Dave Rempis (2005) Percussion Quartet &#45; Circular Logic  &lt;/p&gt;

&lt;p&gt;Bruce Gertz (1997) &#45; Shut Wide Open &lt;br /&gt;
Dave Scott Quintet (2006) &#45; Naivete&#8217;&#8216;&#8217;&#8217; &lt;br /&gt;
Junko Onishi (2010) &#45; Musical Moments  &lt;br /&gt;
Geri Allen (2008) &#45; Flying Toward The Sound  &lt;br /&gt;
Ingebrigt Haker Flaten (2008) Quintet &#45; The Year Of The Boar  &lt;br /&gt;
Magnus Broo (2001) &#45; Levitation &lt;br /&gt;
Fredrik Nordstrom (2003) &#45; Moment &lt;br /&gt;
Chet Baker Quartet (1986) &#45; When Sunny Gets Blue  [FLAC] &lt;br /&gt;
Joakim Milder (2002) &#45; Monolithic &lt;br /&gt;
George Colligan (2009) &#45; Come Together  &lt;/p&gt;

&lt;p&gt;Joakim Milder (1995) &#45; Remains  &lt;br /&gt;
Gregory Tardy (1999) &#45; The Hidden Light&lt;br /&gt;
Loren Stillman (2003) &#45;&amp;nbsp; Gin Bon&lt;br /&gt;
Peter Asplund (1995) &#45; Open Mind &amp;nbsp; &lt;br /&gt;
Hakan Brostrom (1995) &#45; Still Dreaming &lt;br /&gt;
Tim Warfield (1995) &#45; A Whisper in the Midnight&lt;br /&gt;
Nasheet Waits (2008) &#45; Equality  &lt;br /&gt;
Dick Oatts (1998) &#45; Simone&#8217;&#8216;&#8217;&#8216;s Dance  &lt;br /&gt;
Jane Ira Bloom (1999) &#45; The Red Quartets&lt;br /&gt;
Jane Ira Bloom (1995) &#45; The Nearness&lt;/p&gt;

&lt;p&gt;Mike DiRubbo Quintet (1999) &#45; From The Inside Out  &lt;br /&gt;
Ben Wolfe (2007) &#45; No Strangers Here &lt;br /&gt;
Steve Davis (2007) &#45; Eloquence &amp;nbsp; &lt;br /&gt;
Francesca Tanksley (2002) &#45; Journey  &lt;br /&gt;
Michael Cain (1995), Peter Epstein, Ralph Alessi &#45; Phfew [FLAC]&amp;nbsp; &lt;br /&gt;
Tonolo,Boltro,Bex,Chambers (2009) &#45; The Translators  &lt;br /&gt;
Whit Dickey, Daniel Carter, Eri Yamamoto (2009) &#45; Emergence &lt;br /&gt;
Philip Catherine (1992) &#45; Moods Vol.1  &lt;br /&gt;
Peter Epstein (1999) &#45; Staring At The Sun  &lt;br /&gt;
David Binney (2009) &#45; Aliso &lt;/p&gt;

&lt;p&gt;Spike Wilner (2007) &#45; Three To Go &lt;br /&gt;
Ralph Alessi (1999) &#45; Vice &amp;amp; Virtue  &lt;br /&gt;
Olivier Le Goas Quartet (2005) &#45; Gravitations  &lt;br /&gt;
Ryan Kisor Quintet (2008) &#45; Live At Smalls  &lt;br /&gt;
Chuck Zeuren (2000) &#45; Why Not ? &lt;br /&gt;
Myra Melford&#8217;&#8216;&#8217;&#8216;s Crush (1999) &#45; Dance Beyond the Color&lt;br /&gt;
New Jazz Trio (1998) &#45; So&#8230;!&lt;br /&gt;
Ethnic Heritage Ensemble (2006) &#45; Hot &#8216;&#8217;&#8216;&#39;n&#8217;&#8216;&#8217;&#8217; Heavy  &lt;br /&gt;
Jonny King (1997) &#45; The Meltdown&lt;br /&gt;
Myra Melford Trio (1993) &#45; Alive in the House of Saints&lt;/p&gt;

&lt;p&gt;Yusef Lateef &amp;amp; Adam Rudolph (1995) &#45; The World at Peace&lt;br /&gt;
Joey Baron (1993) &#45; RAIsedpleasuredot&lt;br /&gt;
Robert Glasper Trio (2002) &#45; Mood&lt;br /&gt;
Wycliffe Gordon (2008) &#45; Boss Bones &lt;br /&gt;
Nicolas Hafner Swisstet (1994) &#45; Les Standards de Fugain&lt;br /&gt;
Myra Melford&#8217;&#8216;&#8217;&#8216;s Be Bread (2008) &#45; The Whole Tree Gone &lt;br /&gt;
J.D. Allen Trio (2008) &#45; I Am I Am &lt;br /&gt;
Billy Harper (1989) &#45; Destiny Is Yours  &lt;br /&gt;
Ben Goldberg (2009) &#45; Go Home  &lt;br /&gt;
Jerry Bergonzi (2008) &#45; Three For All  &lt;/p&gt;

&lt;p&gt;Salim Washington (2007) &#45; Strings&lt;br /&gt;
Eric Alexander Quartet (2010) &#45; Chim Chim Cheree  &lt;br /&gt;
Alexandra Grimal (2009) &#45; Seminare Vento  &lt;br /&gt;
The Vandermark 5 (2001) &#45; Free Jazz Classics Vol. 1 &amp;amp; 2&lt;br /&gt;
The Vandermark 5 (2004) &#45; Free Jazz Classics Vol. 3 &amp;amp; 4&lt;br /&gt;
Dave Rempis (2005) &amp;amp; Tim Daisy &#45; Back To The Circle  &lt;br /&gt;
Ken Vandermark (2005) &amp;amp; Paal Nilssen&#45;Love &#45; Seven &lt;br /&gt;
Magnus Broo (2007) &amp;amp; Paal Nilssen&#45;Love &#45; Game &lt;br /&gt;
Roy Campbell Quartet (2001) &#45; It&#8217;&#8216;&#8217;&#8216;s Krunch Time&lt;br /&gt;
The Cutting Edge (1998) &#45; The Cutting Edge  &lt;/p&gt;

&lt;p&gt;E.J.Strickland Quintet (2008) &#45; In This Day &lt;br /&gt;
Gary Bartz (1994) &#45; Episode One Children Of Harlem  &lt;br /&gt;
David Binney (2006) &#45; Cities and Desire&lt;br /&gt;
Ralph Bowen (2010) &#45; Due Reverence &lt;br /&gt;
Mike DiRubbo (2002) &#45; Human Spirit  &lt;br /&gt;
Steve Davis (2006) &#45; Outlook  &lt;br /&gt;
Brian Patneaude (2009) &#45; Riverview&lt;br /&gt;
Junko Onishi (1996) &#45; Play, Piano, Play  &lt;br /&gt;
Dick Oatts &amp;amp; Dave Santoro Quartet (1996) &#45; Meru  &lt;br /&gt;
Michele Bozza 4et Feat. Franco Ambrosetti (1997) &#45; Around  &lt;/p&gt;

&lt;p&gt;Bob Kaufman, Bruce Gertz, Jerry Bergonzi (2001) &#45; The Line Between  &lt;br /&gt;
Azar Lawrence (2008) &#45; Prayer for My Ancestors&lt;br /&gt;
Bright Moments (1997) &#45; Return Of The Lost Tribe  &lt;br /&gt;
Nicolas Simion (2004) &#45; The Wild Dogs  &lt;br /&gt;
Guido Manusardi (1985) &#45; Down Town  &lt;br /&gt;
Piotr Wylezol (2007) &#45; Piano Trio &amp;nbsp; &lt;/p&gt;

&lt;p&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#45;&lt;/p&gt;

&lt;div class=&quot;codeblock&quot;&gt;&lt;code&gt;&lt;span style=&quot;color: #000000&quot;&gt;
&lt;span style=&quot;color: #0000BB&quot;&gt;http&lt;/span&gt;&lt;span style=&quot;color: #007700&quot;&gt;:&lt;/span&gt;&lt;span style=&quot;color: #FF8000&quot;&gt;//rapidshare.com/files/396593807/96jazfcbi.rar&amp;nbsp;&lt;/span&gt;
&lt;/span&gt;
&lt;/code&gt;&lt;/div&gt;</description>
      <dc:date>2010-06-08T01:41:41+03:00</dc:date>
    </item>

    <item>
      <title>BLUEGRASS &#45; ÍÅ ÄÀÄÈÌ ÒÐÀÂÅ ÇÀÑÎÕÍÓÒÜ!</title>
      <link>http://qblog.ws/forums/viewthread/580/</link>
      <guid>http://qblog.ws/forums/viewthread/580/#When:16:49:24Z</guid>
      <description>&lt;p&gt;çäåñü áóäóò ññûëêè íà ìóçûêó áëþãðàññ, ÷òîáû îáëåã÷èòü æèçíü òåì, êòî õîòåë áû ïîäåëèòüñÿ íî íåêîãäà ïîñòèòü. &lt;br /&gt;
Òàêæå áûëî áû õîðîøî ïðîñòî îòìåòèòü çäåñü àëüáîìû êîòîðûå âû çàïîñòèëè íà ãëàâíîé, ÷òîáû ó÷àñòíèêè ýòîé âåòêè ñðàçó î íèõ óçíàëè.
&lt;/p&gt;</description>
      <dc:date>2009-10-28T16:49:24+03:00</dc:date>
    </item>

    <item>
      <title>Jazz Big Band</title>
      <link>http://qblog.ws/forums/viewthread/241/</link>
      <guid>http://qblog.ws/forums/viewthread/241/#When:21:41:03Z</guid>
      <description>&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Stan Kenton &#45; The Complete MacGregor Transcriptions Vol.1&#45;5&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;

&lt;p&gt;With this release Naxos Jazz gets its hands on some of the earliest recordings of the Stan Kenton band, an ear&#45;opening collection of MacGregor radio transcriptions made around the time that he was recording for Decca. These, mind you, date well before the series of path&#45;breaking Capitol recordings that made the band famous — and they show the Kenton sound already partially in place, the trademark staccato sax section punctuating the line, the brasses just starting to blast. Even at this point, you cannot mistake this band for anyone&#8217;&#8216;s else&#8217;&#8216;s, even in the more commercially motivated tunes. &lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Balboa Bash, Vol.1, 1941&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Released on Naxos Jazz Legends 8120517, 2002&lt;/p&gt;

&lt;p&gt;Interestingly, only a handful of the nine Decca titles appear here, leaving room for a lot of material that went undocumented by the major labels. There are also a few previews of Kenton&#45;penned recordings to come: the Kenton theme &#8220;Artistry in Rhythm&#8221; (which he pilfered from Ravel&#8217;&#8216;s &#8220;Daphnis and Chloe&#8221;); the jumping &#8220;Harlem Folk Dance,&#8221; and the sublime &#8220;Opus in Pastels&#8221; (here, it&#8217;&#8216;s faster and more staccato in phrasing than the great 1946 Capitol recording). Chico Alvarez&#8217;&#8216;s trumpet can be heard in several solo spots, and Howard Rumsey&#8217;&#8216;s scatted loosey&#45;goosey bass solo feature, &#8220;A Setting in Motion&#8221; (which Decca recorded under the title &#8220;Concerto for Doghouse&#8221;); is a kick. Some of the MacGregors had appeared on LP as early as 1953, yet this systematic release should easily supersede all earlier efforts, with clean, listenable transfers. &lt;br /&gt;
 
&lt;b&gt;Tracks:&lt;/b&gt;&amp;nbsp;   &lt;br /&gt;
01  Opening Theme (Artistry in Rhythm)&amp;nbsp; &lt;br /&gt;
02  Two Guitars  &lt;br /&gt;
03  Blues in Asia Minor  &lt;br /&gt;
04  You Alone  &lt;br /&gt;
05  Deep River  &lt;br /&gt;
06  A Setting in Motion &amp;nbsp; &lt;br /&gt;
07  Balboa Bash  &lt;br /&gt;
08  Don&#8217;&#8216;t Want That Woman Around  &lt;br /&gt;
09  Reed Rapture  &lt;br /&gt;
10  Safari  &lt;br /&gt;
11  Harlem Folk Dance  &lt;br /&gt;
12  La Cumparsita  &lt;br /&gt;
13  Night  &lt;br /&gt;
14  Two Moods  &lt;br /&gt;
15  Smokey  &lt;br /&gt;
16  Too Soon  &lt;br /&gt;
17  Opus in Pastels  &lt;br /&gt;
18  Moon Mist  &lt;br /&gt;
19  Elegie  &lt;br /&gt;
20  A Little Jive Is Good for You  &lt;br /&gt;
21  El Choclo  &lt;br /&gt;
22  Night Life  &lt;br /&gt;
23  Old Black Joe  &lt;br /&gt;
24  Tribute to a Flatted Fifth  &lt;br /&gt;
25  I Haven&#8217;&#8216;t the Heart  &lt;br /&gt;
26  Closing Theme (Artistry in Rhythm) &lt;/p&gt;

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&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Etude for Saxophones, Vol.2, 1941&#45;1942&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
Released on Naxos Jazz Legends 8120518, 2002&lt;/p&gt;

&lt;p&gt;Volume two of Naxos Jazz&#8217;&#8216;s systematic reissue of the MacGregor radio transcriptions of Stan Kenton&#8217;&#8216;s early Balboa Band takes listeners past Pearl Harbor into January 1942. At this early date, Kenton is still balancing the desires of the dancers with his urge to push big band writing forward, although the commercial side of the Kenton band book — more ballads, more pale vocals — plays a bigger role in this collection than in volume one. The selections here are almost totally unrepresented in Kenton&#8217;&#8216;s Decca/Capitol discography, including such unlikely detours as &#8220;Marvin&#8217;&#8216;s Mumble,&#8221; with a central section brazenly modeled after &#8220;Sing Sing Sing&#8221; or a jumping, mildly Kenton&#45;ized treatment of &#8220;Arkansaw Traveler.&#8221; As a composer, Kenton is beginning to reach the limitations of his patented close&#45;blended, staccato saxophone choir; he and his future corps of arrangers would soon expand out of that box. The wild enthusiasm of the young, sunbathed southern California audience, perched there on the West Coast just before the Japanese planes struck across the Pacific, generates gobs of bright&#45;eyed, prewar nostalgia. Again, the transfers are clean and undistorted, and this time the personnel is listed, whereas in volume one it was not. &lt;br /&gt;
 
&lt;b&gt;Tracks:&lt;/b&gt;&lt;br /&gt;
01  Opening Theme (Artistry in Rhythm)&amp;nbsp; &lt;br /&gt;
02  Memphis Lament &lt;br /&gt;
03  Trumpet Symphonette  &lt;br /&gt;
04  Love Turns Winter to Spring  &lt;br /&gt;
05  Marvin&#8217;&#8216;s Mumble  &lt;br /&gt;
06  Arkansas Traveler  &lt;br /&gt;
07  Summer Idyll  &lt;br /&gt;
08  Congo Clambake  &lt;br /&gt;
09  Etude for Saxophones  &lt;br /&gt;
10  Let Her Go  &lt;br /&gt;
11  It Seems to Me  &lt;br /&gt;
12  Tempo Di Joe  &lt;br /&gt;
13  Cloud Across the Moon  &lt;br /&gt;
14  Mine  &lt;br /&gt;
15  Half a Heart  &lt;br /&gt;
16  Prelude to Nothing  &lt;br /&gt;
17  Stop Your Teasin&#8217;&#8217;&amp;nbsp; &lt;br /&gt;
18  If I Had Love &amp;nbsp; &lt;br /&gt;
19  Take Sixteen  &lt;br /&gt;
20  Hold Back the Dawn  &lt;br /&gt;
21  Shufflin&#8217;&#8217; the Chords  &lt;br /&gt;
22  Quit Your Shovin&#8217;&#8217;&amp;nbsp; &lt;br /&gt;
23  No Tears  &lt;br /&gt;
24  Blue Flare  &lt;br /&gt;
25  Closing Theme (Artistry in Rhythm)&amp;nbsp; &lt;/p&gt;

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&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Stan Kenton &#45; Reed Rapture, Vol.3, 1941&#45;1943&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Released on Naxos Jazz Legends 8120684, 2003&lt;br /&gt;
&amp;nbsp; &lt;br /&gt;
Most people are unaware that Stan Kenton’s Band started out as a pretty conventional dance orchestra and only slowly developed into the concert band we all know and love. These tracks are interesting, because the features that made the Kenton Band different, are just starting to develop and in what was only a two&#45;year period significant progress was already made. Shortly after this period the band made the first of the famous Capitol sessions, which brought the band worldwide recognition. Some of the facets of this earlier band were retained, the reeds continued to play sophisticated soli passages, but the Capitol sax section adopted an altogether cooler sound.&lt;/p&gt;

&lt;p&gt;Very few of the band members made it through this period, only trombonist Harry Forbes, tenor man Red Dorris, baritone player Bob Gioga and Kenton himself. The band also changed in structure, the 1943 session had 5 trumpets against 3 in 1941, a bass bone was added and Art Pepper a jazz giant of the future had joined the saxophone section.&lt;/p&gt;

&lt;p&gt;Stan Kenton himself always seemed to be more interested in producing a band with a new and different sound, than he was in swing, thank goodness that he employed musicians who wanted to swing, otherwise it could have been a dull affair! Don&#8217;&#8216;t have the impression that the 1941 band was not an interesting one, but it was similar to most of the other bands of the period. The sentimental vocal dept. in particular was in every band. Low Bridge could have been from any of the big bands around at the time. Even Take the ‘A’ Train is the Billy Strayhorn arrangement originally written for the Ellington band. Blues in F Minor starts to hint at the Kenton bands of the future as does Take It From the Oven, although there is more than a touch of Basie here. It is when we get to Eager Beaver that we start to here the shape of things to come.&lt;/p&gt;

&lt;p&gt;For anyone interested in knowing how the Kenton band developed into one of the most exciting of all big band, will be fascinated by this series of transcriptions. Like every Naxos the sound quality is excellent.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Tracks:&lt;/b&gt;&lt;br /&gt;
01 Theme: Artistry in Rhythm &lt;br /&gt;
02 Popocatapetl &lt;br /&gt;
03 Cancel the Flowers &lt;br /&gt;
04 Underneath the Stars &lt;br /&gt;
05 Low Bridge &lt;br /&gt;
06 Would It Have Made Any Difference to You &lt;br /&gt;
07 Take the ‘A’ Train &lt;br /&gt;
08 Flamingo &lt;br /&gt;
09 Blues In F Minor &lt;br /&gt;
10 Take It From the Oven &lt;br /&gt;
11 Taboo &lt;br /&gt;
12 Adios &lt;br /&gt;
13 This Love of Mine &lt;br /&gt;
14 The Nango &lt;br /&gt;
15 Gambler’s Blues &lt;br /&gt;
16 Lamento Gitano &lt;br /&gt;
17 Reed Rapture &lt;br /&gt;
18 Concerto for Doghouse &lt;br /&gt;
19 El Choclo &lt;br /&gt;
20 Eager Beaver &lt;br /&gt;
21 Shoo Shoo Baby &lt;br /&gt;
22 Liza &lt;/p&gt;

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&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Stan Kenton &#45; Eager Beaver, Vol.4, 1944&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Released on Naxos Jazz Legends 8120703, 2003&lt;/p&gt;

&lt;p&gt;When one thinks of Stan Kenton, it is of his Progressive Jazz Band of 1945&#45;48, his very ambitious Innovations Orchestra (1950&#45;51); his swinging all&#45;star bands of the 1950s and the Mellophonium Orchestra of the early 1960s.&amp;nbsp; However the ensembles that are featured on his MacGregor Transcriptions are of an earlier vintage, allowing listeners to hear the Stan Kenton Orchestra as it was developing its own sound and musical philosophy.&lt;/p&gt;

&lt;p&gt;Actually Stan Kenton formed his musical philosophy early on.&amp;nbsp; He was born 15 December 1911 in Wichita, Kansas.&amp;nbsp; Inspired by Earl Hines’ piano playing, Kenton was a percussive and expressive player but never was on the level of his idol. His innovations would be in his ideas and vision rather than his musicianship.&amp;nbsp; Kenton spent the 1930s in Los Angeles, working with a variety of dance bands including Everett Hoagland in 1934, Russ Plummer and Gus Arnheim, recording with the latter in 1937.&amp;nbsp; After doing some studio work and appearing in a pit orchestra at Earl Carroll’s Theatre, in 1940 Kenton started leading a rehearsal band of his own.&lt;/p&gt;

&lt;p&gt;Kenton wrote most of the arrangements for the original orchestra.&amp;nbsp; During the summer of 1941, his big band played five nights a week at the Rendezvous Ballroom in Balboa near Los Angeles.&amp;nbsp; It was during this historic engagement that Kenton built up a large and enthusiastic local following, and began recording radio transcriptions for the MacGregor company.&amp;nbsp; The band also recorded nine titles for Decca during 1941&#45;42.&lt;/p&gt;

&lt;p&gt;However once the stint at the Rendezvous Ballroom ended, the orchestra was not an instant success, struggling for over two years.&amp;nbsp; Kenton and his men toured the East Coast for eighteen months during 1942&#45;43 without much success.&amp;nbsp; Back in Los Angeles in June 1943, Kenton signed to have his orchestra become the house band for Bob Hope’s radio series.&amp;nbsp; It looked like a big break initially but ended up being an unhappy association with Kenton stuck playing a straight man to Hope and his orchestra not getting to play all that much.&amp;nbsp; In the spring of 1944 Kenton gave his notice and his orchestra left the show in June.&amp;nbsp; Les Brown, whose temperament and less ambitious goals were better suited to playing second fiddle, would eventually be Kenton’s permanent replacement.&lt;/p&gt;

&lt;p&gt;On 18 November 1943, Stan Kenton made his first recordings for the Capitol label and the four songs recorded that day include his theme “Artistry In Rhythm” and “Eager Beaver” which became his first hit.&amp;nbsp; Although it would take until 1945 before Kenton’s orchestra finally became a moneymaker, the Capitol association (which lasted until 1968) gave him hope for the future.&lt;/p&gt;

&lt;p&gt;This is the fourth of five CDs that reissue all of Kenton’s MacGregor radio transcriptions, performances recorded in the studio and available to be played on the radio but not for sale to the general public during the era.&amp;nbsp; The first sixteen selections date from 15 May 1944, a time when Kenton was finishing up his stint with the Bob Hope show.&amp;nbsp; The personnel of the big band includes a few notables, particularly the still&#45;active trumpeter Buddy Childers, Dave Matthews (equally skilled on tenor and as an arranger); drummer Jesse Price (only with Kenton a brief time); a seventeen&#45;year&#45;old tenor&#45;saxophonist named Stan Getz (who like Childers unfortunately gets no solo space) and singers Gene Howard and Anita O’Day.&amp;nbsp; O’Day, who had been with Gene Krupa’s big band until it broke up, had one hit with Kenton (“And Her Tears Flowed Like Wine”) and was generally featured on swinging numbers while Howard sang ballads.&amp;nbsp; They added commercial elements that made some of Kenton’s musical dreams possible and permitted him to keep his orchestra together even as he pursued his eventual goal of leading a concert jazz orchestra rather than a dance band.&lt;/p&gt;

&lt;p&gt;This CD begins with a spirited version of Kenton’s initial hit, Eager Beaver.&amp;nbsp; Gene Howard sings pretty straight on I’ll Remember April before Anita O’Day is featured on the novelty rhythm piece Ride On; Karl George has the brief trumpet solo on the latter.&amp;nbsp; Russian Lullaby, one of several arrangements contributed by Joe Rizzo (an important if rarely acknowledged force in the early Kenton band); has spots for trumpeter John Carroll and Dave Matthews on tenor.&amp;nbsp; Rizzo’s reworking of Debussy’s Clair de lune is haunting and retains the character of the classical piece.&amp;nbsp; The unique Kenton ensemble sound is well featured on Build It Up And Tear It Down before O’Day’s takes her vocal.&amp;nbsp; Gene Howard’s warm and heavy voice is showcased on Moon Song.&amp;nbsp; I Know That You Know is a rarity in Kenton’s discography, a brief swing “killer diller” that cooks.&amp;nbsp; Matthews’ thick&#45;toned tenor and trumpeter George get their chances to be heard.&lt;/p&gt;

&lt;p&gt;Pete Rugolo would be Kenton’s main arranger during the second half of the 1940s, taking his ideas and extending them into more esoteric areas.&amp;nbsp; Opus A Dollar Three Eighty is one of his earlier efforts for Kenton.&amp;nbsp; More conventional is Gene Howard’s feature of the standard Under A Blanket Of Blue.&amp;nbsp; One of O’Day’s better showcases with the band, I Lost My Sugar In Salt Lake City originally featured her predecessor, Dolly Mitchell.&amp;nbsp; Rizzo’s chart turns Tchaikovsky’s None But The Lonely Heart into progressive dance music.&amp;nbsp; O’Day sings the wartime swing piece You Betcha.&amp;nbsp; While trumpeter John Carroll is heard on that piece, Karl George is featured (along with altoist Eddie Meyers) on The Hour Of Parting.&amp;nbsp; A year before June Christy had a hit with “Tampico” and three before Kenton was a pioneer in Afro&#45;Cuban jazz, his orchestra hinted at sounds from south of the border on In A Little Spanish Town (with Anita O’Day) and Begin The Beguine.&lt;/p&gt;

&lt;p&gt;The last four selections on this fourth volume are from December 1944.&amp;nbsp; By then the orchestra had left the Bob Hope show and returned to Los Angeles where they appeared in the film short Artistry In Rhythm.&amp;nbsp; The band’s personnel had changed a bit with the number of musicians growing from seventeen to eighteen with the addition of a fifth trumpeter and only nine of the players from the May orchestra still present plus the two singers.&amp;nbsp; Anita O’Day on Blues uses lyrics from some of her favorite blues songs including “St. Louis Blues” and “Fine And Mellow.”&amp;nbsp; Carroll and tenor&#45;saxophonist Emmett Carls are featured on a swinging version of Tico Tico, O’Day returns for Special Delivery and altoist Boots Mussulli’s Conversin’ With The Brain concludes the program with a jumping original.&lt;/p&gt;

&lt;p&gt;Stan Kenton celebrated his 33rd birthday on 15 December 1944 and his career as an innovator was still just getting started.&amp;nbsp; The MacGregor transcriptions fill an important gap in his early years.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Tracks:&lt;/b&gt;&lt;br /&gt;
01 Eager Beaver&lt;br /&gt;
02 I&#8217;&#8216;ll Remember April&lt;br /&gt;
03 Ride On&lt;br /&gt;
04 Russian Lullaby&lt;br /&gt;
05 Clair De Lune&lt;br /&gt;
06 Build It Up And Tear It Down&lt;br /&gt;
07 Moon Song&lt;br /&gt;
08 I Know That You Know&lt;br /&gt;
09 Opus A Dollar Three Eighty&lt;br /&gt;
10 Under A Blanket Of Blue&lt;br /&gt;
11 I Last My Sugar In Salt Lake City&lt;br /&gt;
12 None But The Lonely Heart&lt;br /&gt;
13 You Betcha&lt;br /&gt;
14 Hour Of Parting&lt;br /&gt;
15 In A Little Spanish Town&lt;br /&gt;
16 Begin The Beguine&lt;br /&gt;
17 Blues&lt;br /&gt;
18 Tico Tico&lt;br /&gt;
19 Special Delivery&lt;br /&gt;
20 Conversin&#8217;&#8217; With The Brain&lt;/p&gt;

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&lt;p&gt;&lt;span style=&quot;font&#45;size:11px;&quot;&gt;&lt;b&gt;Stan Kenton &#45; Painted Rhythm, Vol.5, 1944&#45;1945&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
Released on Naxos Jazz Legends 120714, 2003&lt;/p&gt;

&lt;p&gt;These transcriptions were originally recorded for playing on the radio, but they give a fascinating insight into the development of the Kenton Band immediately prior to the Capital years, which made the band into a national treasure. Although the band was primarily a dance band at this time, certain Kenton trademarks like the heavy brass and excellent jazz solos were finding their way into his arrangements. Boots Mussulli plays some fine solos demonstrating how under rated he was as a musician. On tracks 1 to 12 an unknown young tenor sax player called Stan Getz is included in the saxophone section, he solos on track 11, it could well be his first recording session! On tracks 13 to 21 two other famous tenor saxists play, Vido Musso and Bob Cooper.&lt;/p&gt;

&lt;p&gt;Vocals are to be heard from Anita O’Day, June Christy and a ballad singer named Gene Howard. It is interesting to note that a number of the musicians heard here moved into the Capital Band, Lead Trumpet Buddy Childers, Boots Mussulli, Vido Musso, Bob Cooper and bassist Eddie Safranski, along with vocalist June Christy.&lt;/p&gt;

&lt;p&gt;The last track of the first session Artistry in Rhythm stayed in the Kenton Library throughout his life and was always a concert ‘show stopper’. Oddly enough, this is true of the last track of the second session Painted Rhythm.&lt;/p&gt;

&lt;p&gt;The sleeve notes by Scott Yanow are very informative, a lot better than many on expensive releases! Just a minor point however, there is no vocal on track 21, Painted Rhythm! The band sounds remarkably like the Basie Band on Fine, Fine Deal, a blues with June Christy taking the vocal. June Christy’s voice was ideal for the Kenton Band, she married tenor man Bob Cooper and both were featured with the band for some years. She is heard here on tracks 13, 16, &amp;amp; 19, she is a unique singer with an immediately identifiable voice.&lt;/p&gt;

&lt;p&gt;This is a very welcome the release and it is easy to see how the great Stan Kenton orchestra developed from here, the band already had some star soloists, some excellent arrangements and a really tight polished sound. The Naxos team has done another great job with regard to sound quality. In all, a very enjoyable release.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Tracks:&lt;/b&gt;&lt;br /&gt;
01 Pizzicato &lt;br /&gt;
02 Our Waltz &lt;br /&gt;
03 Tabby the Cat &lt;br /&gt;
04 The Man I Love &lt;br /&gt;
05 Stars in My Eyes &lt;br /&gt;
06 Sergeant’s Mess &lt;br /&gt;
07 And the Tears Flowed Like Wine &lt;br /&gt;
08 Blue Skies &lt;br /&gt;
09 I’m Going Mad for a Pad &lt;br /&gt;
10 Blow Jack &lt;br /&gt;
11 She’s Funny That Way &lt;br /&gt;
12 Artistry in Rhythm &lt;br /&gt;
13 My Guy’s Come Back &lt;br /&gt;
14 It’s Never Too Late to Pray &lt;br /&gt;
15 Elegie &lt;br /&gt;
16 Got a Jenny &lt;br /&gt;
17 Summertime &lt;br /&gt;
18 Baby Won’t You Please Come Home &lt;br /&gt;
19 Fine, Fine Deal &lt;br /&gt;
20 More Than You Know &lt;br /&gt;
21 Painted Rhythm. &lt;/p&gt;

&lt;p&gt;@ 320 kbps, premium&lt;/p&gt;

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      <dc:date>2007-05-23T21:41:03+03:00</dc:date>
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    <item>
      <title>Music Books</title>
      <link>http://qblog.ws/forums/viewthread/470/</link>
      <guid>http://qblog.ws/forums/viewthread/470/#When:05:53:05Z</guid>
      <description>&lt;p&gt;PDF Story Django British language&lt;/p&gt;

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      <dc:date>2009-04-18T05:53:05+03:00</dc:date>
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    <item>
      <title>84 contemporary jazz albums</title>
      <link>http://qblog.ws/forums/viewthread/614/</link>
      <guid>http://qblog.ws/forums/viewthread/614/#When:09:56:17Z</guid>
      <description>&lt;p&gt;84 contemporary jazz albums&lt;br /&gt;
with full Info and Cd Covers included &lt;br /&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#45;&lt;br /&gt;
Franco D&#8217;&#8216;Andrea (1989) &#45; Chromatic Phrygian  &lt;br /&gt;
Rodrigo Amado (2004), Kent Kessler, Paal Nilssen&#45;Love &#45; Teatro &lt;br /&gt;
George Robert Tom Harrell Quintet (1989) &#45; Lonely Eyes&lt;br /&gt;
George Robert &amp;amp; Tom Harrell (1989) &#45; Live in Switzerland &lt;br /&gt;
Jason Roebke (2002), Aram Shelton, Tim Daisy &#45; Rapid Croche  &lt;br /&gt;
Jeb Bishop (2006), Harris Eisenstadt,Jason Roebke &#45; Tiebreaker  &lt;br /&gt;
Territory Band&#45;2 (2001) &#45; Atlas  25/02/2010 &lt;br /&gt;
Hal Galper (1992) &#45; Emergence (feat. Jerry Bergonzi) &lt;br /&gt;
George Robert (1999) &#45; Inspiration &lt;br /&gt;
Bobby Selvaggio (2008) &#45; Modern Times  &lt;/p&gt;

&lt;p&gt;Dave Rempis (2003) Quartet &#45; Out Of Season &amp;nbsp; &lt;br /&gt;
Slawek Jaskulke (2002) Trio &#45; Live at Gdynia Summer Jazz Days  &lt;br /&gt;
Ralph Peterson (1995) &#45; Fo&#8217;&#8216;tet Plays Monk  &lt;br /&gt;
Orrin Evans (1998) &#45; Grown Folk Bizness  &lt;br /&gt;
Jeremy Pelt (2009) &#45; Men Of Honor  &lt;br /&gt;
Mike LeDonne (1998) &#45; Then And Now &lt;br /&gt;
Dave Rempis (2006) Percussion Quartet &#45; Rip Tear Crunch  &lt;br /&gt;
Greg Burk &#45; Berlin Bright (2005) [FLAC]&amp;nbsp;  &lt;br /&gt;
Jacob Anderskov Trio (2003) &#45; On The Loose &lt;br /&gt;
Junko Onishi (1994) &#45; Live At The Village Vanguard Vol.2&lt;/p&gt;

&lt;p&gt;Junko Onishi (1994) &#45; Live At The Village Vanguard Vol.1&lt;br /&gt;
George Robert (1989) &#45; Looking Ahead  &lt;br /&gt;
George Robert Quintet (1994) &#45; Tribute&lt;br /&gt;
Ari Brown / Earma Thompson / John Brunbach (2007) &#45; Madam Queen&lt;br /&gt;
Eri Yamamoto (2009) &#45; In Each Day, Something Good  &lt;br /&gt;
Greg Burk (2003) &#45; Nothing, Knowing  &lt;br /&gt;
Pinton, Kullhammar, Zetterberg, Nordeson (2008) &#45; Chant  &lt;br /&gt;
Triage (2001) &#45; Premium Plastics  &lt;br /&gt;
Rich Perry (2009) &#45; Gone  &lt;br /&gt;
George Robert Tom Harrell Quintet (1992) &#45; Cape Verde&lt;/p&gt;

&lt;p&gt;The Vandermark 5 (2005) &#45; Alchemia [12]&amp;nbsp;  &lt;br /&gt;
George Robert / Dado Moroni (1992) &#45; Youngbloods&lt;br /&gt;
Francesco Cafiso (2009) Island Blue Quartet &#45; A New Trip  &lt;br /&gt;
Ron Carter (1987) &#45; Presents Dado Moroni  &lt;br /&gt;
Franco D&#8217;&#8216;Andrea (1989) &#45; Volte &lt;br /&gt;
Franco D&#8217;&#8216;Andrea (1988) &#45; Kick Off &amp;nbsp; &lt;br /&gt;
Dado Moroni (1994) &#45; The Way I Am&lt;br /&gt;
Ethnic Heritage Ensemble (2006) &#45; Mama&#8217;&#8216;s House Live &lt;br /&gt;
Geggie Trio &amp;amp; Donny McCaslin (2007) &#45; Across the Sky&lt;br /&gt;
Miroslav Tadic (1992) &amp;amp; Peter Epstein &#45; Without Words  &lt;/p&gt;

&lt;p&gt;Dado Moroni (1994) &#45; With Duke In Mind&lt;br /&gt;
Dado Moroni Trio (1994) &#45; Insights&lt;br /&gt;
John Geggie / Marilyn Crispell / Nick Fraser (2006) &#45; Geggie Project&lt;br /&gt;
Dave Rempis &amp;amp; Frank Rosaly (2009) &#45; Cyrillic  &lt;br /&gt;
Peter Asplund (2008) &#45; As Knights Concur  &lt;br /&gt;
Samuli Mikkonen (1998) &#45; Kom Live  &lt;br /&gt;
Kasper Villaume (2005) &#45; Hands &amp;nbsp; &lt;br /&gt;
Tyshawn Sorey (2007) &#45; That/Not  &lt;br /&gt;
Nicolas Simion (1993) &#45; Jeu Des Gar&#231;ons &lt;br /&gt;
The Engines (2006) &#45; The Engines&lt;/p&gt;

&lt;p&gt;Emil Kowalski (2002) &#45; Sanktoria  &lt;br /&gt;
Fieldwork (2004) &#45; Simulated Progress&lt;br /&gt;
Marc Copland (2009) &#45; Alone  &lt;br /&gt;
Kurt Rosenwinkel Standards Trio (2009) &#45; Reflections &lt;br /&gt;
Alberto Pinton Quintet (2004) &#45; The Visible  &lt;br /&gt;
Greg Burk (2002) &#45; Checking In  &lt;br /&gt;
Michael Philip Mossman With Daniel Schnyder &#45; Granulat (1990) [FLAC]&amp;nbsp; &lt;br /&gt;
Jason Lindner (2008) &#45; Gives You Now Vs Now  &lt;br /&gt;
Victor Lewis/Fabio Morgera/J.D.Allen.. (2003) &#45; Red Stars  &lt;br /&gt;
Roberto Gatto Quintet (2003) &#45; Deep &lt;/p&gt;

&lt;p&gt;Giovanni Tommaso Quintet (1994) &#45; Over The Ocean  &lt;br /&gt;
Enrico Rava (2008) &#45; Bimhuis, Amsterdam, 12 March 2008 &amp;nbsp; &lt;br /&gt;
Piero Odorici (1989) &#45; First Play  &lt;br /&gt;
Dado Moroni (2008) &#45; Solo Dado  &lt;br /&gt;
Meeting Point (2009) &#45; Quintessence  &lt;br /&gt;
David Hazeltine (1995) &#45; Four Flights Up &lt;br /&gt;
Greg Burk (2003) &#45; Ivy Trio  [FLAC] &lt;br /&gt;
Marcus Strickland (2008) &#45; Idiosyncrasies &lt;br /&gt;
Jeff &#8216;&#8216;Tain&#8217;&#8217; Watts &#45; Detained At The Blue Note  &lt;br /&gt;
Manhattan Jazz Quintet (2000) &#45; Teen Town  &lt;/p&gt;

&lt;p&gt;Enrico Rava (1975) &amp;amp; Fernando Gelbard &#45; El Convidado  &lt;br /&gt;
Jimmy Greene (2007) &#45; Gifts And Givers  &lt;br /&gt;
Pat Martino (1994) &#45; Interchange  &lt;br /&gt;
Jeff &#8216;&#8216;Tain&#8217;&#8217; Watts (1991) &#45; Megawatts  &lt;br /&gt;
Hal Galper Quintet (1999) &#45; Let&#8217;&#8216;s Call This That (feat.Jerry Bergonzi)&amp;nbsp; &lt;br /&gt;
Carlo Atti Feat. Hal Galper Trio (1997) &#45; Sweet Beat Blues &lt;br /&gt;
Rosario Giuliani, Pippo Matino, Benjamin Henocq (2009) &#45; Trio Ostiko &lt;br /&gt;
Mauro Grossi (2001) &amp;amp; Andrea Dulbecco &#45; Summer Suite  &lt;br /&gt;
Roscoe Mitchell (2005) &#45;Turn&lt;br /&gt;
Maciej Sikala (1998) &#45; Blue Destinations &lt;/p&gt;

&lt;p&gt;Malachi Favors Maghostut (2003) &#45; Live at Last&lt;br /&gt;
Nicolas Simion Quartet (1991) &#45; Dinner For Don Carlos  &lt;br /&gt;
Alex Riel (1995) &#45; Riel Time &lt;br /&gt;
Alex Riel (1995) &#45; The Riel Deal &amp;nbsp;  &lt;/p&gt;

&lt;p&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#45;&lt;/p&gt;

&lt;div class=&quot;codeblock&quot;&gt;&lt;code&gt;&lt;span style=&quot;color: #000000&quot;&gt;
&lt;span style=&quot;color: #0000BB&quot;&gt;http&lt;/span&gt;&lt;span style=&quot;color: #007700&quot;&gt;:&lt;/span&gt;&lt;span style=&quot;color: #FF8000&quot;&gt;//rapidshare.com/files/360213100/84jazfcbi.rar&amp;nbsp;&lt;/span&gt;
&lt;/span&gt;
&lt;/code&gt;&lt;/div&gt;</description>
      <dc:date>2010-03-07T09:56:17+03:00</dc:date>
    </item>

    <item>
      <title>Gospel</title>
      <link>http://qblog.ws/forums/viewthread/313/</link>
      <guid>http://qblog.ws/forums/viewthread/313/#When:18:10:45Z</guid>
      <description>&lt;p&gt;Ó êîãî åñòü çàïèñè èñïîëíèòåëåé â ñòèëå ãîñïåë &#45; äàâàéòå äðóæèòü. Ó ìåíÿ åñòü: &lt;br /&gt;
òðè ãîñïåë&#45;àëüáîìà Ýëâèñà (ïðàâäà êà÷åñòâî òîëüêî 160 êáñ); 27ìá + 31ìá +&amp;nbsp; 42 ìá&lt;br /&gt;
http://rapidshare.com/files/72010138/he_touched_me.rar &amp;nbsp;  &amp;nbsp;   &lt;br /&gt;
http://rapidshare.com/files/72013613/his_hand_in_mine.rar &amp;nbsp;   &lt;br /&gt;
http://rapidshare.com/files/72025334/how_great_thou_art.rar &lt;br /&gt;
ìîãó âûëîæèòü, åñëè áóäóò èíòåðåñóþùèåñÿ &#45;&lt;br /&gt;
ïîñëåäíèå àëüáîìû Äæîííè Êýøà, ãäå îí ïåðåøåë íà ãîñïåë (My Mother&#8217;&#8216;s Hymnbook, Ultimate Gospel)&lt;br /&gt;
Amy Grant &#8220;Rock of Ages&#8221;,&lt;br /&gt;
Mahalia Jackson &#8220;The Gospel Queen&#8221;, &#8220;Just AS I am&#8221; &#45;&amp;nbsp; ýòî ñî÷åòàíèå Ãîñïåë è Ñïèðè÷óýëñ,&lt;br /&gt;
Åùå Áèëë è Ãëîðèÿ Ãåéçåð &#45; ÿ èõ çàïîñòèë íà ãëàâíîé. Ýòî ïðåäñòàâèòåëè ò.í. Southern Gospel. &lt;br /&gt;
âîò åùå îäèí ëèíê íà àðõèâ ñ íåñêîëüêèìè èõ ïåñíÿìè, êîãäà&#45;òî îöèôðîâàííûìè ñ à/êàññåòû. Íàÿðèâàþò &#45; áóäü çäîðîâ.&lt;br /&gt;
(11 ìá) 160 êáñ&lt;br /&gt;
http://rapidshare.com/files/78168983/gaithers.rar
&lt;/p&gt;</description>
      <dc:date>2007-12-22T18:10:45+03:00</dc:date>
    </item>

    <item>
      <title>97 contemporary jazz albums</title>
      <link>http://qblog.ws/forums/viewthread/596/</link>
      <guid>http://qblog.ws/forums/viewthread/596/#When:03:34:06Z</guid>
      <description>&lt;p&gt;97 contemporary jazz albums&lt;br /&gt;
with full Info and Cd Covers included &lt;br /&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&lt;/p&gt;

&lt;p&gt;Piotr Wojtasik (2005) &#45; We Want To Give Thanks  &lt;br /&gt;
Daniele Scannapieco (2009) &#45; Tenor Legacy &lt;br /&gt;
Guido Manusardi (2000) &#45; Doina  &lt;br /&gt;
Francesco Cafiso Quartet (2008) &#45; Angelica &amp;nbsp; &lt;br /&gt;
Keyon Harrold (2008) &#45; Introducing Keyon Harrold &amp;nbsp;  &lt;br /&gt;
Armen Donelian (1990) &#45; The Wayfarer &lt;br /&gt;
Dick Oatts (2007) &#45; Gratitude &lt;br /&gt;
Greg Burk (2004) &#45; Carpe Momentum (Feat. Jerry Bergonzi)&amp;nbsp; &lt;br /&gt;
One For All (2008) &#45; Return Of The Lineup &lt;br /&gt;
Manhattan Jazz Quintet (1990) &#45; Manhattan Blues &lt;/p&gt;

&lt;p&gt;Kenny Barron Trio (2009) &#45; Minor Blues  &lt;br /&gt;
Sphere (1987) &#45; Sphere  &lt;br /&gt;
Gary Bartz (1990) &#45; There Goes The Neighborhood  &lt;br /&gt;
One For All (2006) &#45; The Lineup &lt;br /&gt;
Maria Kannegaard (2000) &#45; Breaking The Surface  &lt;br /&gt;
Antonio Zambrini Trio (1998) &#45; Antonia e Altre Canzoni &lt;br /&gt;
Stefano Saccon (2002) feat. Enrico Rava &#45; Underscore &lt;br /&gt;
Ray Drummond (1997) &#45; One, Two, Three, Four &lt;br /&gt;
Carsten Dahl , Mads Vinding, Alex Riel (2007) &#45; In Our Own Sweet Way &lt;br /&gt;
Eddie Henderson (2001) &#45; Oasis &lt;/p&gt;

&lt;p&gt;Trio Da Paz &amp;amp; Joe Locke (2007) &#45; Live At Jazzbaltica &lt;br /&gt;
Cedar Walton (2009) &#45; Voices Deep Within  &lt;br /&gt;
Enrico Pieranunzi (2002) &#45; One Lone Star  &lt;br /&gt;
Alexandra Grimal (2008) Trio &#45; Shape, Live At The Sunset &amp;nbsp; &lt;br /&gt;
Nicolas Simion Quartet (1994) &#45; Transylvanian Dance &lt;br /&gt;
Piotr Wojtasik (2004) &#45; Colors &lt;br /&gt;
Anders Lindskog (1998) &#45; Fine Together  &lt;br /&gt;
Andrea Dulbecco Trio (2007) &#45; Sunday Afternoon  &lt;br /&gt;
Tommy Smith (2003) &#45; Evolution&lt;br /&gt;
Eric Le Lann (1983) &#45; Night Bird  &lt;/p&gt;

&lt;p&gt;Eric Alexander (2009) &#45; Revival Of The Fittest  &lt;br /&gt;
Alex Riel (2005) &#45; The High &amp;amp; The Mighty  &lt;br /&gt;
Gary Bartz (1991) &#45; Shadows &lt;br /&gt;
Hern&#225;n Merlo Quintet (2001) &#45; Con Sin &amp;nbsp; &lt;br /&gt;
Ralph Peterson (1994) &#45; The Reclamation Project  &lt;br /&gt;
Gustavo &amp;amp; Facundo Bergalli (1997) &#45; Tango In Jazz &amp;nbsp; &lt;br /&gt;
Nicolas Simion Group (1999) &#45; Balkan Jazz &amp;nbsp; &lt;br /&gt;
Manhattan Jazz Quintet (1985) &#45; My Funny Valentine  &lt;br /&gt;
Alex Riel (1998) &#45; D.S.B. Kino  &lt;br /&gt;
Manhattan Jazz Quintet (2004) &#45; Take the A Train&lt;/p&gt;

&lt;p&gt;Fini Hostrup (2000) &#45; Stories  &lt;br /&gt;
Agnar Magnusson (2007) &#45; La&#240;&amp;nbsp; &lt;br /&gt;
Manhattan Trinity (2004) &#45; Love Letters  &lt;br /&gt;
Ahmad Jamal (2009) &#45; A Quiet Time&lt;br /&gt;
Jed Levy (2008) &#45; One Night at the Kitano&lt;br /&gt;
Franco D&#8217;&#8216;Andrea (1998) &#45; Eleven  &lt;br /&gt;
Barry Altschul (1983) &#45; Irina  &lt;br /&gt;
Gebhard Ullmann (1989) &#45; Ullmann&#45;Rava&#45;Willers&#45;Lillich&#45;Sch&#228;uble  &lt;br /&gt;
Ben Allison (2009) &#45; Think Free&lt;br /&gt;
Rich Perry (2004) &#45; You&#8217;&#8216;re My Everything  &lt;/p&gt;

&lt;p&gt;Ron McClure (2007) &#45; New Moon&lt;br /&gt;
Marcus Printup (1994) &#45; Song For The Beautiful Woman  &lt;br /&gt;
Marcus Printup (1996) &#45; Unveiled  &lt;br /&gt;
Marcus Printup (2001) &#45; The New Boogaloo&lt;br /&gt;
Cory Weeds Quintet (2009) &#45; Everything&#8217;&#8216;s Coming Up Weeds&lt;br /&gt;
Wayne Escoffery (2009) &#45; UpTown&lt;br /&gt;
Giovanni Mazzarino (2008) &#45; Light  &lt;br /&gt;
Michael Occhipinti (1998) &#45; Surrealist Blues&lt;br /&gt;
Michael Occhipinti (2008) &#45; The Sicilian Jazz Project&lt;br /&gt;
Roberto Occhipinti Ensemble (2003) &#45; The Cusp&lt;/p&gt;

&lt;p&gt;Giovanni Mirabassi (2005) &#45; Prima o Poi &amp;nbsp; &lt;br /&gt;
Franco D&#8217;&#8216;Andrea (1997) &#45; Jobim  &lt;br /&gt;
Custom Trio (2000) &#45; Back Point &amp;nbsp; &lt;br /&gt;
Ralph Peterson (2003) &#45; The Fo&#8217;&#8216;tet Augmented  &lt;br /&gt;
Jukkis Uotila (2003) &#45; Meninas &amp;nbsp; &lt;br /&gt;
Alex Riel (1999) &#45; Rielatin&#8217;&#8217;&amp;nbsp; &lt;br /&gt;
Sean Jones (2006) &#45; Roots  &lt;br /&gt;
Erik Jekabson (2002) &#45; Intersection  &lt;br /&gt;
Ralph Peterson (1992) &#45; Art  &lt;br /&gt;
Alberto Pinton Quintet (2005) &#45; Motionemotion  &lt;/p&gt;

&lt;p&gt;Perico Sambeat &amp;amp; Javier Vercher (2007) &#45; Infinita  &lt;br /&gt;
Ivar Kolve Trio (2008) &#45; View From My Room  &lt;br /&gt;
Andrzej Przybielski,Marcin Oles,Bartlomiej Brat Oles (2003) &#45; Abstract &lt;br /&gt;
Eric Alexander (1993) &#45; Up, Over &amp;amp; Out &amp;nbsp; &lt;br /&gt;
Wadada Leo Smith&#8217;&#8216;s Golden Quartet (2005) &#45; Tabligh  &lt;br /&gt;
Custom Trio (1999) &amp;amp; Andrzej Przybielski &#45; Free Bop  &lt;br /&gt;
Ron Horton (2006) &#45; It&#8217;&#8216;s A Gadget Word  &lt;br /&gt;
Jacob Karlzon (2008) &#45; Heat  &lt;br /&gt;
Dag Arnesen (1998) &#45; Inner Lines  &lt;br /&gt;
One For All (2000) &#45; The Long Haul  &lt;/p&gt;

&lt;p&gt;Anton Schwartz (2005) &#45; Radiant Blue  &lt;br /&gt;
Jacek Kochan (2001) &#45; Monorain  &lt;br /&gt;
Johan Zakrisson (2005) &amp;amp; Joakim Milder &#45; Irrealis  &lt;br /&gt;
David Binney (2009) &#45; In The Paint &amp;nbsp;  &lt;br /&gt;
Custom Trio (1999) &#45; Mr. Nobody &lt;br /&gt;
Bert Joris Quartet (2007) &#45; Magone &lt;br /&gt;
Eric Alexander (1998) &#45; Solid!&amp;nbsp; &lt;br /&gt;
Joe Farnsworth (1998) &#45; Beautiful Friendship  &lt;br /&gt;
Taylor Eigsti (2003) &#45; Resonance &amp;nbsp; &lt;br /&gt;
Jonas Johansen Move (2003) &#45; &#8216;&#8216;Up!&amp;nbsp;  &lt;/p&gt;

&lt;p&gt;Piotr Wojtasik (1996) &amp;amp; Special Guests &#45; Quest &amp;nbsp; &lt;br /&gt;
Marc Copland &amp;amp; Gary Peacock (2009) &#45; Insight  &lt;br /&gt;
Kenny Werner (1990) &#45; Uncovered Heart &amp;nbsp; &lt;br /&gt;
Marcus Printup (1998) &#45; Nocturnal Traces  &lt;br /&gt;
Gustavo Bergalli Quintet (1991) &#45; On The Way  &lt;br /&gt;
Flavio Boltro (2003) &#45; 40°&amp;nbsp; &lt;br /&gt;
Johannes Enders (2000) &#45; Quiet Fire  &lt;/p&gt;

&lt;p&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&lt;/p&gt;

&lt;div class=&quot;codeblock&quot;&gt;&lt;code&gt;&lt;span style=&quot;color: #000000&quot;&gt;
&lt;span style=&quot;color: #0000BB&quot;&gt;http&lt;/span&gt;&lt;span style=&quot;color: #007700&quot;&gt;:&lt;/span&gt;&lt;span style=&quot;color: #FF8000&quot;&gt;//rapidshare.com/files/330065290/97jazfcbi.rar&amp;nbsp;&lt;/span&gt;
&lt;/span&gt;
&lt;/code&gt;&lt;/div&gt;</description>
      <dc:date>2010-01-04T03:34:06+03:00</dc:date>
    </item>

    <item>
      <title>jazz/fusion/funk</title>
      <link>http://qblog.ws/forums/viewthread/507/</link>
      <guid>http://qblog.ws/forums/viewthread/507/#When:14:20:28Z</guid>
      <description>&lt;p&gt;CANDY DULFER/DISCOGRAPHY 1/SAX SOLIST/JAZZ/FUNK/FUSION/SMOOTH/&lt;br /&gt;
6 ALBUMS &#45;DOWNLOAD IN ONE FILE!&lt;/p&gt;

&lt;p&gt;1.LIVE IN AMSTERDAM/2001&lt;br /&gt;
2.FUNKED UP&amp;CHILLED;OUT/2009/2CDS&lt;br /&gt;
3.RIGHT IN MY SOUL/2003&lt;br /&gt;
4.DULFER&#45;DULFER(WITH HANS DULFER)/2002&lt;br /&gt;
5.CANDY STORE/2007&lt;br /&gt;
6.COOKIES FORTUNE(WITH DAVE STEWART)/1999&lt;/p&gt;

&lt;p&gt;Candy Dulfer was born in a small village near Amsterdam (Netherlands). She grew up in a family involved in the Dutch jazz scene. Her father, Hans Dulfer, a respected tenor saxophonist, exposed her to the talents of Sonny Rollins, Coleman Hawkins and Dexter Gordon. Her mother Inge is her manager. Candy Dulfer started playing the saxophone at seven, had her first gig with her father at eleven. She played first with brass bands, founded her first band aged forteen, began performing on the jazz club circuit and started fronting her current band Funky Stuff. They got invited to support Madonna on part of her 1987 European tour. A similar support slot with Prince was abruptly cancelled, but the star made amends by inviting Candy Dulfer onstage during one of his shows. The resulting recording sessions with Prince, and in particular the video mix of Party Man with a cry of when I want sax, I call for Candy, made her famous. This led to session work with Eurythmics guitarist, David Stewart, who gave Candy a joint credit on Lily Was Here, a UK number 6 hit in 1990. Further credits have found her working with Dave Gilmour, Aretha Franklin, Van Morrison and Pink Floyd. Her boyfriend is band member Thomas Bank (keyboards). They live in Amsterdam. Candy Dulfer &amp;amp; Funky Stuff (Candy Dulfer as/voc, Thomas Bank keyb, Roger Happel keyb/voc, Ulco Bed g, Jan van Duikeren tp, Peter Lieberom ts, Manuel Hugas b, Oscar Kraal dm) On November 23, 1999 the concert in Zurich (Volkshaus) by Candy Dulfer &amp;amp; Funky Stuff was a mix of old and new. Among the first tunes were the Sonny Rollins&#8217; compositions Iron Lady and No Problem (the latter song is on her new CD What does it take). After a tribute to David Sandborn and funk music of the seventies, Candy Dulfer &amp;amp; Funky Stuff played, in contrast to the rest of the program, a ballad: So Cool (from What does it take). The keyboard beginning was a little cheap, but as soon as the whole band joined in, the sound was full. It is one of her best songs on the new album, together with the title song featuring Jonathan Butler as well as Cookie from the motion picture soundtrack Cookie&#8217;s Fortune. In the concert, the title song from Girl&#8217;s Night Out as well as I&#8217;m The One from What does it take followed. Another composition with a solo by the second saxophone demonstrated the quality gap between some of Candy Dulfer&#8217;s seven&#45;men&#45;band and herself. Her program included afterwards a tribute to James Brown, It&#8217;s alright and Nikki&#8217;s Dream from What does it take. After that, she announced Funkyness as a song reflecting her philosophy of life. But Funyness was not convincing, neither on the instrumental nor on the vocal side. But with Shake it Shake it and Sax&#45;A&#45;Go&#45;Go, Candy Dulfer &amp;amp; Funky Stuff proofed once again to be a hot live act. The only thing missing: a top lead singer. We&#8217;ve got to go announced the end of two hours of funky dance music with jazz elements. The crowd was more than pleased.
&lt;/p&gt;</description>
      <dc:date>2009-06-26T14:20:28+03:00</dc:date>
    </item>

    <item>
      <title>67 contemporary jazz albums</title>
      <link>http://qblog.ws/forums/viewthread/583/</link>
      <guid>http://qblog.ws/forums/viewthread/583/#When:03:51:23Z</guid>
      <description>&lt;p&gt;67 CONTEMPORARY JAZZ ALBUMS&lt;br /&gt;
with full Info and Cd Covers included &lt;br /&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&lt;/p&gt;

&lt;p&gt;Jim Rotondi (1996) &#45; Introducing Jim Rotondi&lt;br /&gt;
Ambrose Akinmusire (2008) &#45; Prelude To Cora  &lt;br /&gt;
Cezariusz Gadzina Trio (2002) &#45; Double Heart  &lt;br /&gt;
Manuel Rocheman (2007) &#45; Cactus Dance &amp;nbsp;   &lt;br /&gt;
Tom Varner &#45; Covert Action (1987) [FLAC]&amp;nbsp;  &lt;br /&gt;
Donny McCaslin (2009) &#45; Declaration&lt;br /&gt;
Michel Wintsch Who Trio (2008) &#45; Less Is More &amp;nbsp; &lt;br /&gt;
Maciej Obara Trio (2009) &#45; I Can Do It  &lt;br /&gt;
Steve Lehman Quintet (2007) &#45; On Meaning&lt;br /&gt;
The Monterey Quartet &#45; Live At The 2007 Monterey Jazz Festival&lt;/p&gt;

&lt;p&gt;Jobic Le Masson Trio (2009) &#45; Hill  &lt;br /&gt;
Maciej Sikala (2009) &#45; Maciej Sikala Trio  &lt;br /&gt;
Vijay Iyer Trio (2009) &#45; Historicity  &lt;br /&gt;
Jerry Bergonzi &amp;amp; Dick Oatts (2004) &#45; Saxology &lt;br /&gt;
Jim Snidero (1991) &#45; Urban Tales &lt;br /&gt;
Ryan Kisor (2000) &#45; Kisor II  &lt;br /&gt;
Jim Rotondi (1997) &#45; Jim&#8217;&#8216;&#8217;&#8216;s Bop  &lt;br /&gt;
Steve Lehman (2005) &#45; Demian As Posthuman &lt;br /&gt;
Ingrid Jensen (1996) &#45; Here On Earth &lt;br /&gt;
Johannes Enders (1997) &#45; Bright Nights  &lt;/p&gt;

&lt;p&gt;Joakim Milder (1992) &#45; Consensus &lt;br /&gt;
Jakob Dinesen (1999) &#45; Around  &lt;br /&gt;
Johannes Enders (2007) &#45; Dome  &lt;br /&gt;
Nils Petter Molvaer (2009) &#45; Hamada  &lt;br /&gt;
Javier Vercher (2004) &#45; Introducing The Javier Vercher Trio  &lt;br /&gt;
Vijay Iyer Quartet (2003) &#45; Blood Sutra  &lt;br /&gt;
Christian Els&#228;sser Trio (2001) &#45; Future Days  &lt;br /&gt;
Christoph Stiefel (2001) &#45; Dream Of The Camel  &lt;br /&gt;
Tomas Einarsson (1989) &#45; Blue Mist  &lt;br /&gt;
Franco D&#8217;&#8216;&#8217;&#8216;Andrea (1991) ,D.Humair,E.Rava,M.Vitous &#45; Earthcake  &lt;/p&gt;

&lt;p&gt;Steve Lehman (2007) Quartet &#45; Manifold  &lt;br /&gt;
Jamie Saft (2005) &#45; Astaroth&#45;Book Of Angels Vol.1 &lt;br /&gt;
Johannes Enders Quartet (2001) &#45; Sandsee  &lt;br /&gt;
Dag Arnesen (1994) &#45; Movin&#8217;&#8216;&#8217;&#8217;&amp;nbsp; &lt;br /&gt;
Piotr Wojtasik (1998) &#45; Escape  &lt;br /&gt;
Denis Badault (1994) Quartet &#45; Because,Forever &lt;br /&gt;
George Paczynski (1991) &#45; 8 Years Old  &lt;br /&gt;
Franck Avitabile (2002) &#45; Bemsha Swing &lt;br /&gt;
Steve Lehman (2003) Camouflage Trio &#45; Interface  &lt;br /&gt;
Steve Lehman (2003) &#45; Artificial Light  &lt;/p&gt;

&lt;p&gt;Steve Lehman (2001) &#45; Structural Fire  &lt;br /&gt;
Roy Powell (2003) &#45; Solace  &lt;br /&gt;
Paul Rogers (1997) Quartet &#45; Time Of Brightness &lt;br /&gt;
Jacek Kochan (2005) &#45; One Eyed Horse &amp;nbsp; &lt;br /&gt;
Robert Glasper (2009) &#45; Double Booked  &lt;br /&gt;
Stefano Battaglia (1991) &#45; Confession  &lt;br /&gt;
J.D. Allen Trio (2008) &#45; Shine!&amp;nbsp; &lt;br /&gt;
Kendrick Scott (2006) &#45; The Source &lt;br /&gt;
Armen Donelian (1987) &#45; Trio &#8216;&#8217;&#8216;&#39;87 &lt;br /&gt;
Michael Kanan Trio (1999) &#45; Convergence  &lt;/p&gt;

&lt;p&gt;David Sills (2006) &#45; Green &lt;br /&gt;
Horacio Fumero (2005) &#45; Isoca &lt;br /&gt;
Terence Blanchard (2009) &#45; Choices  &lt;br /&gt;
Chris Kase Quartet (1999) &#45; Te Espero Aqui  &lt;br /&gt;
&#193;rni Hei&#240;ar Karlsson (2009) &#45; M&#230;ri &lt;br /&gt;
Hilton Ruiz (1990) &#45; Doin&#8217;&#8216;&#8217;&#8217; it Right&lt;br /&gt;
Bobby Shew (1998) &#45; Salsa Caliente  &lt;br /&gt;
Sammy Figueroa (2007) and His Latin Jazz Explosion &#45; The Magician &amp;nbsp; &lt;br /&gt;
Henryk Miskiewicz &amp;amp; Simple Acoustic Trio (2000) &#45; Lyrics &amp;nbsp; &lt;br /&gt;
Marcus Printup (2007) &#45; London Lullaby&lt;/p&gt;

&lt;p&gt;Steve Langone (2000) &#45; Finders Keepers &amp;nbsp; &lt;br /&gt;
Carl Allen &amp;amp; Manhattan Projects (1993) &#45; The Dark Side Of Dewey &lt;br /&gt;
Kevin Hays (2005) &#45; For Heaven&#8217;&#8216;&#8217;&#8216;s Sake &lt;br /&gt;
Mario Rusca Trio (1991) &#45; Echo Of Ego &lt;br /&gt;
Jacob Christoffersen (2005) &#45; Facing The Sun &lt;br /&gt;
Guillaume De Chassy (2008) &#45; Faraway So Close &lt;br /&gt;
Gunnar Gunnarsson (2005) &#45; H&#250;m &lt;/p&gt;

&lt;p&gt;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&lt;br /&gt;
e n j o y &lt;/p&gt;

&lt;div class=&quot;codeblock&quot;&gt;&lt;code&gt;&lt;span style=&quot;color: #000000&quot;&gt;
&lt;span style=&quot;color: #0000BB&quot;&gt;http&lt;/span&gt;&lt;span style=&quot;color: #007700&quot;&gt;:&lt;/span&gt;&lt;span style=&quot;color: #FF8000&quot;&gt;//rapidshare.com/files/303538708/67jazfcbi.rar&amp;nbsp;&lt;/span&gt;
&lt;/span&gt;
&lt;/code&gt;&lt;/div&gt;</description>
      <dc:date>2009-11-07T03:51:23+03:00</dc:date>
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