MATT BIANCO/DISCOGRAPHY 1(latino/jazz/pop brazil)
1.ANOTHER TIME ANOTHER/1994
2.ECHOES(LIVE IN JAPAN)/2002
3.SAMBA IN YOUR CASA/1991
4.WHOSE SIDE ARE YOU ON/1984
5.HIFI BOSSANOVA/2009
6.MATTS MOOD/2004
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Website: MattBianco.com
Matt Bianco is a UK band that was formed in 1983. They are mainly known for their success in the mid 1980s and their jazzy, Latin-flavoured music.
Popular during the mid 1980s in continental Europe, Matt Bianco epitomised the new jazz pop genre, that they shared with acts such as Working Week, Sade, Everything but the Girl, and The Style Council. The name suggests that Matt Bianco is a personal name, often referred to the main constant member and front man, Mark Reilly, but Matt is in fact “a made up spy, a secret agent; we loved spy TV themes and film scores”.
The early years as a trio:
Formed by Mark Reilly (vocals), Danny White (keyboards), and the late Kito Poncioni (bass) in 1982 from the shards of the abandoned art pop group, Blue Rondo A La Turk, for their first album, Whose Side Are You On?, they hired then unknown Polish vocalist Basia Trzetrzelewska. Her vocal arrangements gave the album a jazzy dimension that Reilly and White could not anticipate but made good use of. Mixmaster Phil Harding applied what would become his signature style to the recordings. Hits like “Get Out of Your Lazy Bed” and “Half a Minute,” which Basia would feature live throughout her solo career, turned Matt Bianco into one of the biggest acts of Europe in 1984.
Basia and Danny White, subsequently a couple in real life too, left the group soon after the first album to pursue an apparently more lucrative solo career with Sony, under the name Basia, on the Epic label. They maintained their working relationship with Phil Harding, who would continue to work with Matt Bianco as well. Mark Reilly, now without a musical partner, found ex-Wham keyboarder and session musician, Mark Fisher, and recorded the next (self-titled) Matt Bianco album.
The Reilly-Fisher duo years
With Mark Fisher replacing White and Trzetrzelewska, the sound changed considerably. Fisher, a keyboardist, composer and studio wizard, contributed a more contemporary sound, compared to that of the early Matt Bianco. The use of synthesizers increased notably: Yamaha’s DX-7 can be heard providing the slap bass in most songs, but the choice of noted studio musicians remained consistent with Ronnie Ross being the most prominent example. After the first album with the new line-up, they took a 13-piece band on to a European tour, that saw them perform in front of an audience of more than 250,000 attendees in total.
As Matt Bianco was a household name in Europe, Warner Brothers thought it was time to market them in the U.S.. They hired Gloria Estefan’s husband and producer Emilio Estefan to produce a few songs, and recorded their third album, Indigo, with the Estefan productions being chosen as singles. 1988’s “Don’t Blame it on That Girl” and “Good Times” only made a moderate impact, apart from “Wap-Bam-Boogie”, an album track originally on the B-side of the first single too, which did well on the dance charts, and pushed the joint single release up to Number 11 on the UK Singles Chart, making it their best achievement ever in the whole history of Matt Bianco, either as a trio or as a duo. After a first Greatest Hits album, entitled The Best of Matt Bianco, collecting their greatest hits from 1983 to 1990, actually out in 1990, and another studio album with Warner Brothers - the fractured Samba in Your Casa, the fourth long-playing by the group, released in 1991 - Reilly and Fisher split from their record company, and went freelance. From then on, they would record their albums in their own studios, and then offer them to independent distributors worldwide.
Now, they had total artistic freedom, but commercial success was harder to achieve. They scored contracts with ZYX Music and Intercord in Europe, and Victor Entertainment in Asia, but failed to sign on with another major label. The next albums did not sell that well in Europe, but they created a loyal fan base in Japan, and the rest of Asia. The albums Another Time Another Place, Gran Via, World Go Round, A/Collection (not a Greatest Hits album, but more of a Best-Of collection, compiling a number of remakes of Matt Bianco’s stand-out album tracks plus remixes of a few of their hits too), Rico, and Echoes sold well enough for a comfortable lifestyle in the South-East of England.
After twenty years recording and touring, Mark Fisher started to crave a different lifestyle, and the two split amicably.
The reunion of the original trio line-up
Initiated by a mutual friend, Basia and Danny White joined with Mark Reilly to reform the “original” Matt Bianco, in 2003, signing to the Emarcy label. In 2004, Matt Bianco released the album Matt’s Mood (the name is from one of their most popular early instrumental tracks), which featured well-crafted adult-contemporary/jazz numbers, in the spirit of their first album. This was accompanied by an extensive PR exercise, giving the album plenty of airtime. The following year, they embarked on a world tour, which included stops in the UK, Japan, and the United States.
Back again to the duo:
After the success of Matt’s Mood, Basia and Danny White left Matt Bianco again to reinvigorate the Basia franchise. Mark Reilly and Mark Fisher are back as a duo, and originally planned a new release in 2007, which wasn’t out as yet though. Three compilations were instead marketed between 2005 and 2008, including a Best-Of Volume 2, containing many of the Asian tracks, which were so far only available in Germany for European fans, and the re-release of the original 1990 Best-Of, featuring their greatest European hits from 1983 to 1990. In May 2009 Fisher and Reilly will release their first album as a duo for eight years in Europe, the UK and Japan. With “HiFi Bossanova” the band secured a contract with Edel in Europe and continued their cooperation with JVC-Victor in Japan.
