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Sonny Rollins - Jazz Master - Solo Transcription With Analysis (book & mp3) [by Djangowes] - waiting for moderation

Selmer #607 -Live at Samois (2008)

Label Indie
Genre Gypsy Swing Jazz Manouche
Years 2008
Format Mp3 128 Kbps
Size 36 MB

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Label CD Baby
Genre Gypsy Swing Jazz Manouche
Years 2000
Discs 1
Release Date Jun 15, 2010
Format Mp3 320 Kbps
Size 64 MB

A pleasant swingy atmosphere, played in the gipsy tradition.

Gipsy Swing Marke Eigenbau prasentiert das Joschi Schneeberger Trio auf seiner ersten CD: Abgesehen von einem Ausflug in ...   Full Descriptiondie Standard-Ecke gehen hier alle Titel auf das Konto der vor eineinhalb Jahren gegri¼ndeten Band. DaiŸ es dem Klang des Trios nicht an Charme und Warme mangelt, fallt bereits nach einigen Takten angenehm ins Ohr: Maler/Musiker Karl Hodina quetscht mit Esprit das Akkordeon, wahrend Gitarrist Striglo Sti¶ger und Namenspatron Joschi Schneeberger, bs, flink i¼ber die Saiten ihrer Instrumente huschen. Die virtuosen Klangspenden des Gitarristen Christian Havel, der sich hier als Gast dreimal die Ehre gibt, wi¼rzen den Sound des swingenden Trios zusatzlich. Wer neu komponierten Jazz sucht, altbekannte Harmonien aber nicht missen will, wird an diesem Erstlingswerk seinen Gefallen finden. Freunde gefalliger Klange sollten mit “Crazy Year” gut beraten sein.

Biografie
Geb.
1957 in Wien, begann seine Laufbahn 1982 als Autodidakt. Gilt heute als einer der gefragtesten und versiertesten Bassisten der i¶sterreichischen Jazzszene.
Fernseh- und Rundfunkaufnahmen mit:
Zipflo Weinrich Ensemble Elly Wright und Band Lady â?žP” and Friends Vienna String Quartett Wolfgang Wehner Trio Swinging Jazz-Gitti Harri Stojka und Band und dem Joschi Schneeberger Trio

Gastspiele in:
Deutschland, Italien, Frankreich, Tschechische Republik, Ungarn, Slowakei, Slowenien, Kroatien, Polen, Rumanien, Griechenland, Luxemburg, Finnland, Belgien, China und Indonesien.
Zusammenarbeit und Konzerttourneen mit:
John Allred, Erich Bachtragl, Bruno Castellucci, Benny Bailey, Thorsten Benkenstein, Gustavo Bergalli, Till Bri¶nner, Conte und Pete Candoli, Bobby Durham, Klaus Dickbauer, Teddy Ehrenreich, Johannes Enders, Rolf Ericson, Paul Fields, Bumi Fian, Jim Galloway, Bill Grah, Lee Harper, Heinz von Hermann, Red Holloway, Merill Hoover, Ingrid Jensen, Barney Kessel, Oskar Klein, Jeanie Lambe, Bradford Leali, Kosta Lukas, Danny Moss, Ed Neumeister, Richard i-sterreicher, Fritz Pauer, Wolfgang Puschnig, Bosco Petrovic, Ed Polcer, Valery Ponomarev, Allen Praskin, Karl Ratzer, Randy Sandke, Hans Salomon, Bobby Shew, Hal Singer, Allen Smith, Harri Stojka, Clark Terry, Ed Thigpen, Zipflo Weinrich, Hans`sche Weiss, Rudi Wilfer, u. v. a.
Zusammenarbeit mit weiteren Musikern siehe unter Projekte!
1999 Gri¼ndung seines eigenen Trios mit Karl Hodina und Striglo Sti¶ger. Seit 2004 Joschi Schneeberger Quintett mit Karl Hodina, Aaron Wonesch, Striglo Sti¶ger und Diknu Schneeberger

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Joschi SCHNEEBERGER Quintett - Rani (2005)

Label: City Park Records
Genre Gypsy swing Jazz Manouche
Number of Compositions: 10
Total Time: 51:00
Year: 2005
Format, bitrate: MP3 320 Kb/s CBR
File Size: 73,19 Mb + covers
A very fine gipsy swing record with a Vienna touch, this time besides Karl Hodina (accordeon) Aaron Wonesch (piano) is featured and
Joschi´s son Diknu (guitar)
Geb.1957 in Wien, begann seine Laufbahn 1982 als Autodidakt. Gilt heute als einer der gefragtesten und versiertesten Bassisten der österreichischen Jazzszene.

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Jimmy Rosenberg- The ONe and Only (2006)

with Bireli Lagrene and Angelo Debarre

Label Hot Club Records
Gypsy Swing Jazz Manouche
Record Originally released in 13 -15 december 1997
Years (2006)
Format Mp3 320 Kbps
Size 138 MB

Jimmy Rosenberg proves to be such a fluid acoustic guitarist on this frequently heated set that it is difficult to believe that he was only 17 at the time. His playing is very much in the tradition of Django Reinhardt yet he does not sound like a mere copy. Rosenberg teams up on this CD with fellow guitarist Angelo Debarre (who is on the same level), bassist Svein Aarbostad and (on seven of the 18 songs) guitarist Bireli Lagrene for a program of hard swinging numbers, many of which were associated with Django. The playing often borders on the miraculous with the highlights including such tunes as “Them There Eyes,” “Coquette,” “I Can’t Give You Anything But Love,” “Embraceable You,” “Donna Lee,” and “The Sheik of Araby.” Highly recommended.

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Joschi Schneeberger Sextett-Live im Porgy & Bess Wien (2009)

No Label
Genre Gypsy Swing Jazz Manouche
Years 18.10.2009
Format Mp3 320 Kbps
Size 135 MB

http://www.joschischneeberger.at/recordings.htm

http://www.cduniverse.com/search/xx/music/artist/Joschi+Schneeberger/a/albums.htm

http://www.youtube.com/user/joschischneeberger?feature=watch

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JOHNNY VAN DERRICK HOT CLUB VOL 1-2

No Label No Info

Genre Gypsy Swing Jazz Manouche

Format Mp3 192 Kbps

Size

Johnny sadly died in 1994 aged 69 but has been a great influence on many rising jazz violin stars. He was not widely known to the British public, though his CV reads like a list in the WhoпїЅs Who of showbusiness. A close colleague of Michel LeGrand and Eartha Kitt, a long association with Peter Sellers and a life-long friend of the great guitarist Denny Wright. Johnny was prolific on the session scene of the 50s and 60s, playing the lead violin on the Pink Panther films amongst others and on numerous jingles, most notably for the Renault Clio (oooh Papa!). JohnnyпїЅs style was always swinging and always lyrical, as these two tracks show.

Date of Birth

11 August 1926

Date of Death

15 May 1995

Trivia

Jazz violinist

The Late Johnny van Derrick -

In performance van Derrick was an incomparable showman, whether pretending to make pizzicato notes come from the top of his bald head, or swapping quotes from the classics with the guitarist Denny Wright. Van Derrick was compared to Stephane Grappelli, whom he knew and admired, but his style was cleverer, his swing more strident, and his playing perhaps more influenced by Joe Venuti. It remains a great sadness that his unique combination of a virtuoso technique and a devilish swing did not quite reach the large public it deserved.

Van Derrick was born in 1926 and was introduced to music by his father, who was a fine cornet player. As a young boy he was sent to the Brussels Conservatoire, where he was awarded a silver medal, but his classical studies ended with the outbreak of the Second World War. He found work back in London touring Stoll Moss theatres with Louis MexanoпїЅs Accordion Band (пїЅeight tiny Italians with enormous instrumentsпїЅ) before joining the Merchant Navy and spending the rest of the war on the British convoys to Russia.

In the early post-war years van Derrick played trumpet for dance bands like Maurice WinnickпїЅs (пїЅthe sweetest music this side of heavenпїЅ) and Lou PreagerпїЅs. He couldnпїЅt keep away from the fiddle for long, however, and undertook six years of study with his mentor Sascha Lasserson. He joined the Halle Orchestra, but he found the working conditions dispiriting and returned to freelancing.

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Stephane GRAPPELLY - Le Toit De Paris (1969)

Label: Bmg/RCA Records Label
Genre Gypsy Swing Jazz
Release Date1969
Recording DateOct 28, 1969
Format Mp3 320 Kbps
Size 80 MB

L’album qui a précédé le parfait I Hear Music ; On retrouve déjà cette formule en quartette, une combinaison de prédilection pour le violoniste Stéphane Grappelli qui réussit un vrai tour de force, en compagnie du trop rare pianiste Raymond Fol. Un album qui porte bien son nom : la grâce et la légèreté de cette musique réclament une certaine hauteur…—Eric Frank

Reviewby Ken Dryden

Stephane Grappelli’s career was beginning to take off once again around the time of this 1969 session in Paris; the swinging violinist is accompanied by pianist Raymond Fol, guitarist Tony Ovio, bassist Jack Sewing, and drummer Andre Hartmann. While the leader and his pianist play rather well, the rest of the rhythm section is burdened by Ovio’s rather hackneyed accompaniment. The best tracks are the standards, including a very brisk “Rain Check” and “What Am I Here For” (the latter of which opens with a bit of pizzicato violin), as well as a breakneck “Tabou” (sometimes spelled “Taboo” or “Tabu” on other records). Less inspired are labored renditions of “I Got It Bad (And That Ain’t Good)” and “Time on My Hands.” One factor separating this date from the typical Grappelli release is the heavier concentration of original material; Grappelli contributed two fairly nondescript ballads (“Andree” and “Light”) and the intense swinger “Denise,” while Fol penned the bland ballad “Camelia” and a somewhat corny waltz, “Anna.” Fol switches to celeste on a couple of numbers, neither of which are particularly remarkable. An odd note on the back cover apologizes for using the original album cover art with the leader’s name misspelled Stephane Grappelly, which was actually the original spelling and the way he still signed autographs 20 years after the recording session! While this album (reissued on CD by RCA France in 1994) is hardly a prime example from Stephane Grappelli’s considerable discography, there are enough enjoyable tracks for swing fans to considering purchasing it.

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Various Artists -Jazz Hot Swing & Jazz in Norway (1920-1940)

Label HERMAN RECORDS
Genre: swing jazz
Years (2001)
Format Mp3 192 Kbps
Size 90 MB

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label Deutsche Grammophon
Genre: Jazz,accordeon
Int. Release 17 Oct. 2011
Durée: 61 minutes 32 secondes
Format Mp3 320 Kbps
Size 181 Mo

Pour son second album sous le prestigieux label Deutsche Grammophon, Richard Galliano rend un hommage respectueux et fidèle à Nino Rota, à l’occasion du centenaire de sa naissance (le 3 décembre 2011), dans le plus pur respect de ses compositions originales et nous transporte dans le monde merveilleux et nostalgique du compositeur attitré de Fellini.

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Jazz in Paris – Jazz & Cinema vol. 4 (1954-1961)

Label Emarcy Universal Music France
Genre Jazz Swing
Released 2002
Format Mp3 320 Kbps
Size 104 MB

A wonderful collection of some very cool jazz recordings – all of them made for French films of the New Wave era, and rarely, if ever, reissued! The package is the 4th in this excellent Jazz & Cinema series within the larger Jazz In Paris line – and it’s actually the rarest of the bunch, with work that we’d never heard before on CD. Most tunes were originally issued only as singles or short 7” eps – a common format for French soundtracks, and the reason that many of them were rarely issued as albums – and although the sources are different, there’s a really unified feel to the material. Titles include “Touchez Pas Au Grisbi” and “Grisbi Blues” by Jean Wetzel, from the film Touchez Pas Au Grisbi; “No Hay Dinero Caballo”, “Va Ya Pa’Ti”, and “L’Espionnage” by Gonzalo Fernandez & Martial Solal, from the film Les Ennemis; “Sentimental Slow” by Martial Solal from the film Le Proces; “Cora”, “Patricia”, and “Amanda” by Alain Gourager from the film Le Piege; and “Generique”, “Le Ciel C’Est Toi”, and “Cha Cha De Cullera” by Michel De Villers from the film Le Saint Mene La Danse.

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Name: Mark Knopfler & Chet Atkins
Album: Neck and Neck
Year: 1990
Bitrate: mp3 CBR 320
Weight: 77.44 MB

Великолепный дуэт двух гитаристов – легендарного Чета Эткинса, в 60-70-х активно попуяризировавшего кантри, и лидера “Dire Straits” Марка Нопфлера. Уникальные стили игры музыкантов ведут на этом альбоме дружескую перепалку, оба артиста демонстрируют высочайший класс. В треклисте присутствуют как лирические инструментальные баллады, так и песни в традиционной кантри-аранжировке. Присутствует также кавер-версия на балладу Джанго Рейнхардта “Tears”.

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Olivarez Trio -Adieu,Bienville (2008)

Label : Autoproduction
Genre Gypsy Swing Jazz Manouche
Date de sortie : 2008
Format Mp3 192 Kbps
Size 46 MB

publié par Francis Couvreux

Je n’avais jamais entendu parler de Rick Olivarez jusqu’à ce que je le voie croiser les cordes au camping de Samoreau lors du festival de Samois en juin dernier, notamment devant la caméra de l’ami Patrus. Je vis que l’homme avait des doigts mais ce modeste ne me parla pas alors de ce disque enregistré aux USA en 2008, qu’il m’envoya quelques semaines plus tard. Et c’est une belle surprise, qui confirme mon impression première.

Bien soutenu par Jeff Cheers, guitare d’accompagnement et Steve Riggs, contrebasse, Rick fait beaucoup plus que se défendre sur un répertoire choisi avec gout. Django est à l’honneur, bien sûr, mais avec deux compos peu jouées Double whiskey et Choti, jolie valse composée par l’illustre manouche dans sa jeunesse et qui nous a été transmise par Matelot Ferret. Rick Olivarez aime les valses c’est sûr ! Il reprend remarquablement la valse de Tchan Tchou (en fait Dolorès) dont il a sans doute écouté aussi la version de Moréno. Il en signe également deux, valse sans mari où sa guitare conjugue poésie et respiration, et Adieu Bienville, qui donne son titre à l’album, tout aussi réussie ; Rick a le sens de la mélodie et son phrasé décontracté et chantant fait merveille.

Notre homme goute aussi visiblement le folklore d’Europe centrale, un répertoire peu joué par les cadors de la 6 cordes et sur lequel il est également très à l’aise. Il reprend le magnifique Mademoiselle de Bucharest de Matelot, Bicycle Czardas et un thème du folklore hongrois dans l’arrangement d’Angélo et Serge Camps ; là il nous fait penser à Alfonso Ponticelli, autre ricain affectionnant ce répertoire. Si Rick ne révolutionne pas le style, il en a bien compris l’esprit et a digéré la leçon de ses maitres, nous proposant là un disque tout à fait convaincant, bien agréable à écouter.

Fan’s of Matelot Ferret’s epochal double album Tziganskaia or Angelo Debarre’s groundbreaking Gypsy Guitars would do well to keep an eye out for the upcoming release of Adieu, Bienville from Charlottesville, Virginia’s Olivarez Trio. Lead guitarist Rick Olivarez has obviously done his homework, and his love of the older waltzes, csardas, and Eastern European strains of Jazz Manouche gives rise here to a surprising new album that draws less on the jazz and more on the manouche.
Due out on August 8th, the disc includes older valses (Choti, Dolores) alongside pieces like Folklore Hongrois, Mademoiselle de Bucharest and the Django tune Double Whisky. Interspersed throughout are originals composed in the spirit of Ferret and Tchan-Tchou Vidal; highly dramatic works evocative of a time past, tunes like Adieu, Bienville and the wistful, elegiac Valse Sans Maris sound like small gems only recently rediscovered. (In that way, Reinhardt’s Double Whisky feels a bit out of place—a slightly too modern rhythm changes tune that doesn’t play to Olivarez’s considerable strengths. I’d have much preferred another of his delightful originals in its place.)
Holding down the rhythm are guitarist Jeff Cheers and bassist Steve Riggs, who provide a solid, steady bed for Olivarez’s soaring melodies. But Adieu, Bienville—to its great credit—mostly feels like an ensemble effort, a recording of like-minded musicians who have been together a while, and have gotten to know each other through music. It’s not, despite the musicianship on display, a ‘guitar hero’ record, but one more concerned with showing us the oft-overlooked value of our own musical past, and it succeeds, showing that quality has no expiration date.

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Djivilli Quintet - Give me Five (2005)

Label : Autoproduction
Genre Gypsy Swing Jazz Manouche
Years 2005
Format Mp3 320 Kbps
Size 66 MB

album épuisé

Premier CD pour ce groupe dijonais influencé par le swing du Hot Club de France. Il s’agit de l’enregistrement de deux jours de concert au Bristrot de la Seine de Dijon. A l’écoute des réactions du public l’ambiance devait être chaude ces soirs là. Enregistré un concert comme premier CD comporte toujours le risque que celui-ci ne passe pas l’étape de l’écoute hors de son contexte. Mais là, la magie opère encore et l’energie qui se dégage du CD est bien réelle. On sent un plaisir certain de communiquer et de partager leur musique. Le choix des reprises agrémentées de quelques compositions sortent un peu du set classique du parfait guitariste swing et c’est pas plus mal. La guitare tenue par Jérome Broyer participe a propulser les morceaux à la limitte du swing, et Fanny Sauvin au violon trouve le parfait contre point sur chaque titre. Certains morceaux souffrent quand même de problèmes de mise en place guitare/violons comme “There Will Never Be Another You”. Mais dans l’ensemble le groupe n’hésites pas à délirer sur les morceaux (par ex. l’intro de “Le sud” sur Anniversary song) et c’est ce qui rend dynamique le CD. La version d’“Ill see you in my dreams” violon/guitare en extrait est d’ailleurs un bel hommage à Django.

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