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Sonny Rollins - Jazz Master - Solo Transcription With Analysis (book & mp3) [by Djangowes] - waiting for moderation

And another great album of Haris Lemonopoulos… Listening to him I seem to detect far other influences than “just” greek traditional music - no wonder with his american background! Could it be he also studied his fair share of guitar master’s music?
Get a plate of mezé starters, followed by some mediterranean mixed barbeque accompanied by a bottle of heavy greek wine, put the music on… and then forget about the food!
Sorry again about the poor quality, it’s getting worse!!!

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Three of a Kind - Akasha 2CD (2010 with Stochelo Rosenberg & Bireli Lagrene)

Artist: Three of a Kind
Album:  Akasha
Year:    2010
Label:  KDR
Genre:  african music Gypsy Swing Jazz Manouche fusion
Quality: Mp3, 320
Size:    247 MB

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Fishtank Ensemble-Woman in Sin (2010)

Label:Indies
Genre:Gypsy Swing Jazz Manouche
Years :2010
Release Date 11 May 2010  
FORMAT mP3 320 Kbps
Size 24.0 - 95.7 Mo

Fishtank The third album from Fishtank Ensemble finds the band writing and performing at their peak. Transylvanian Gypsy Anthems, 1920’s swing, Romanian Folk medleys, Rhythm and Blues Classics, Bulgarian Odd Time Signatures, Flamenco Rumbas, Swing Jazz, Serbian party tunes, Secret Manouche music and original songs are seemlessly blended together in this quintessential offering from the leading American Gypsy Band.

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Faiz Ali Faiz & Titi Robin-au festival Au Fil des Voix (2011)

Label Arte Tv
Genre Gypsy flamenco Ethno India vocal
Years 16 02 2011
Format mp4 Avi
video 720 x 476 AVC level 3
Audio ACC 3canaux 160 kbps
Size 487 Mo

Time 1:10

http://liveweb.arte.tv/fr/video/Faiz_Ali_Faiz___Titi_Robin_au_festival_Au_Fil_des_Voix/

When the fancy of a musician as Titi Robin meets a master of qawwali singing, Faiz Ali Faiz, catches fire very quickly and the music ignites, virtuosic and powerful, bursting with energy, lyricism and emotion .

Guitarist, oud player and bouzouki, since his first album пїЅGypsyпїЅ Titi Robin wanders between musical regions of Andalusia and the East.

Hailed as a worthy successor of the great Nusrat Fateh Ali Khan, Faiz Ali Faiz Qawwali singer outstanding, intoxicated by his vocal prowess but also his talent to the creation of intercultural openness, while remaining faithful to tradition.

Jaadu marks the meeting of these two exceptional musicians, the пїЅmagic"of an unprecedented journey to the heart of a new country, between dream and reality, halfway influences of popular festive accents and arabesque oriental mystical fervor and instrumental virtuosity.

 

 

Quand la fantaisie dпїЅun musicien comme Titi Robin rencontre le chant dпїЅun maître qawwali , Faiz Ali Faiz, le feu prend très vite et la musique sпїЅembrase, virtuose et puissante, débordante dпїЅénergie, de lyrisme et dпїЅémotion.

Guitariste, joueur de oud et de bouzouq, depuis son premier disque пїЅGitansпїЅ, Titi Robin vagabonde entre les contrées musicales dпїЅAndalousie et dпїЅOrient.

Salué comme digne successeur du grand Nusrat Fateh Ali Khan, Faiz Ali Faiz, chanteur qawwali hors pair, enivre par ses prouesses vocales mais aussi par son talent dпїЅouverture vers les créations interculturelles, tout en restant fidèle aux traditions.

Jaadu marque la rencontre de ces deux musiciens dпїЅexception ; la пїЅ magie пїЅ dпїЅun voyage inédit au coeur dпїЅune nouvelle contrée, entre rêve et réalité, à mi-chemin dпїЅinfluences populaires, dпїЅaccents de fête et dпїЅarabesques orientales, de ferveur mystique et de virtuosité instrumentale.

 

 

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Artist: Naná Vasconcelos
Album: Saudades
Label: ECM (ecm 1147)
Year: 1979
Genre: Jazz, Brazilian Jazz, World Fusion
Format: FLAC
Time: 44:13
Size: ~240MB incl. 3% recovery (3 files)

This 1979 recording is probably Afro-experimentalist Vasconcelos’ finest. It presents his various facets—berimbau playing, intricate overlain vocals, fine percussion, even gorgeous guitar—simply and almost overwhelmingly. This is one of those performances that remind one to never let natural dogmatism get too out of hand.. ~John Storm Roberts, AMG

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Artist: Jon Hassell
Title Of Album: Aka Darbari Java
Year Of Release: 1983
Label: EG Records
Genre: Jazz - Ethnic Fusion
Format: FLAC (Image)+CUE, LOG
Quality: Lossless
Total Time: 00:44:10
Total Size: 199 mb

Review by Brian Olewnick

The beautiful cover painting by Mati Klarwein serves as an appropriate visual analogy for the music contained herein: an abutting of two worlds, an insinuating blend of early-‘80s high tech with ancient Southeast Asia. Over varying, non-specific rhythms supplied by Abdou Mboup, Jon Hassell weaves a music both evocative and plaintive, his modified trumpet sighing like an old Javanese horn pulled into the digital age on its way to what he calls a “coffee-colored” future where all ethnic traditions become one. The astonishingly vocal sound he gets from that treated trumpet is certainly one of the signatures of this album and one of the more lovely sounds heard anywhere. His compositions have a bit too much direction and drive to comfortably settle into the term ambient, but they remain as relaxed and gently meandering as a jungle stream. One especially nice feature is the subtle electronic burblings that whisper in the background, creating an enticingly busy sense of space. Aka/Darbari/Java is an early high-water mark at the juncture between world and ambient musics.

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[Ziveli Orkestar-La Peau De L ours (2010)

Label LпїЅautre Distribution/ZN production
Genre Gypsy Balkan
Released: 2010-06-17
Years 2010
Format Mp3 224~226 Kbps
Size 62 Mo

http://www.ziveliorkestar.com   http://www.ziveliorkestar.com

http://www.myspace.com/ziveliorkestar http://www.myspace.com/ziveliorkestar

Video

http://www.google.ch/search?q=ziveli&rls=com.microsoft:fr-ch:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GGLL_fr&redir_esc=&ei=K0w5Td3DJcXGswaw6rHzBg#q=ziveli&hl=fr&rls=com.microsoft:fr-ch:IE-SearchBox&rlz=1I7GGLL_fr&prmd=ivns&source=univ&tbs=vid:1&tbo=u&ei=K0w5Te36NcabOtb-yO0K&sa=X&oi=video_result_group&ct=title&resnum=4&ved=0CEgQqwQwAw&fp=5e37685187a893db

Energy, power, emotion and swing!
Exceptional vintage in light dress, with hints of amber. This appellation of origin must totally uncontrolled exposure to good
Choisy on the banks of the King, the fineness of its aromas of honey and flint.
Franc to the attack, its flexibility is not gained at the expense of the depth of her bouquet. It shows the body and leaves
mouth the taste of the Balkans. This band Balkans since 2005 distils both traditional themes of the Balkans
their original compositions. This band bursting with energy and power, typically settles for a trip
rhythm .. Let yourself be swept by the festive music tinged with melancholy gypsy.
Serbian, Ziveli means пїЅlifeпїЅ, a term used to drink in the Balkans. Born of the encounter between a band of French
oriented music of Eastern Europe and a Serbian singer living in Berlin, this show intends to immerse ourselves in
heart of the tradition of Gypsy brass bands. With 200 concerts to their credit, several collaborations with the Caravan Goes, My
Côté Punk and the Little End and The Do, leads us Ziveli Orkestar Gypsy tunes through Standards
French song.

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Raphaël Faÿs-Extremadura (2009)

Label : Le Chant Du Monde (chez Harmonia Mundi)
Genre Gypsy Swing Jazz Manouche / Flamenco
Date de sortie : 19 novembre 2009
Format Mp3 320 Kbps
Size 81.5 Mo

 
publié par Francis Couvreux
Si Raphaël Fays était resté un certain temps sans enregistrer, ce nпїЅest plus le cas depuis quпїЅil a signé chez chant du monde ; пїЅ Extremadura пїЅ doit être son 5ème disque pour le label ! Le guitariste y poursuit son exploration personnelle du flamenco avec des compagnons de route au plus près de cette esthétique ; toutefois on aurait aimé entendre davantage les voix de Alejandro Gimenez et Clara Tuléda ; Rapha a en tous cas trouvé la formule instrumentale et les partenaires adéquats pour porter sa musique : dix compos originales bien dans la tradition (rumba, soléa, bulériaпїЅ) toujours au service de la mélodie et qui sonnent déjà comme des classiques (cf Ranger rumba ou le long et inspiré Colombiana qui alterne thème lancinant et apaisé et accélérations foudroyantes). Si sa technique époustouflante sпїЅépanouit totalement dans ce style enflammé, le guitariste nпїЅoublie ni la musicalité ni le sentiment (cf son superbe hommage solo à Sabicas). Après plus de 20 ans de pratique du flamenco,Raphaël Fays a trouvé son propre chemin, imprimant son empreinte à une musique pourtant très codifiée.
Tout à fait convaincant !

published by Francis Couvreux
If Raphael Fays had remained some time without saving it is no longer the case since he signed with Song of the World; пїЅExtremaduraпїЅ must be his fifth disc for the label! The guitarist continued his personal exploration of flamenco with fellow travelers closer to this aesthetic, but we would have liked to hear more voices and Alejandro Gimenez Clara Tuleda; Rapha has found the formula if all instrumental and appropriate partners for bring his music: ten original compositions in the tradition (rumba, solea, buleria ...) always serve the song and that sound like classics already (see Ranger rumba or along and inspired theme that alternates Colombiana haunting and peaceful and lightning acceleration). If his amazing technique in this style blossomed fully ignited, the guitarist will not forget the musicality or sense (see his superb solo tribute to Sabicas). After more than 20 years of practicing flamenco, Raphael Fays found his own path, impressing his mark on the music is very codified.
Quite convincing!

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Mário Pacheco - Clube de Fado- A Música e a Guitarra (2006)

Label:World Connection
Genre Fado Ethno portugal/ vocal
Title:A Música e a Guitarra (album)
Release date:16-04-2007
Format Mp3 320 Kbps
Size 160. 472 Mo
Video Format Vob
Size 12 x &00 Mo ~

The confident, and absorbing guitar and compositions of Mário Pacheco are not accidental. They reflect his special dedication to, commitment to, and caring for the art of music, particularly Fado, founded on a familiar tradition.
The son of the guitar player António Pacheco, who played with some of the best Fado artists, Mário Pacheco soon began unveiling the mysteries of the guitar chords and of the melodic ways of Fado compositions.
This born talent was strengthened and expanded by the study of music theory and classic guitar in the Music Academy of Lisbon.
However, he is most captivated by the Portuguese guitar, the musical instrument, which, in his words, пїЅmost expressively defines FadoпїЅ.
He studies the best guitar players with dedication: Armandinho, Artur Paredes, Carlos Paredes, Pedro Caldeira Cabral, and Fontes Rocha.
ThatпїЅs how he got the foundations, which enabled him to create his own style, both as a guitar player, accompanying the great voices of Amália Rodrigues, Alfredo Marceneiro, Hermínia Silva, Tristão da Silva or Max, with whom his father also played, and, later on, as a composer.
With such a musical background he inevitably got the urge and the inspiration to compose, fully understanding the typical format and harmonies of Fado.
Carlos Zel, Paulo de Carvalho, Ana Sofia Varela, Rodrigo Costa Félix, Mísia,
Joana Amendoeira, Camané, Mariza, and Amália, all interpret his melodies.
In 1992, his first album appears, пїЅUm outro olharпїЅ пїЅ “Another Look” пїЅ seeking to translate the way Mário Pacheco’s music reflects a different vision of nostalgia and of how saudade пїЅ yearning пїЅ and sadness cross their paths, in a harmonious way, opening up to other musical languages, for Fado also expresses and summarizes several other rhythms.
To this album, which is a hallmark in the history of Portuguese music, followed пїЅGuitarras do fadoпїЅ пїЅ “Fado guitars” пїЅ “Cantar AmáliaпїЅ пїЅ “Singing Amália” пїЅ and пїЅGuitarra portuguesaпїЅ пїЅ “Portuguese Guitar”.
The Portuguese guitar, composition, and the Fado environments keep on inspiring him, and guiding his steps.
Meanwhile, Mário Pacheco found a place, in the historical neighborhood of Alfama, next to the secular Cathedral Sé of Lisbon, where he creates a space of reference for Fado, and also dedicated to artistic creation.
He calls it “Clube de Fado”.
In fact, it’s a club for people to meet, chat and exchange ideas in a Fado environment.
In this space where Fado happens every night, tradition is kept.
That’s where Mário Pacheco sails away on a journey with his guitar…
His CD/DVD mirrors a пїЅgetawayпїЅ in the aristocratic environment of The National Palace of Queluz.
In this show, Mário Pacheco recalls his пїЅmastersпїЅ: Carlos Paredes and José Fontes Rocha, composing two instrumental pieces in their tribute, and invites Fado singers to interpret his melodies: Camané, Rodrigo Costa Félix, Ana Sofia Varela and Mariza, four insurmountable names of Fado, as well as the musicians Carlos Manuel Proença (guitar), Rodrigo Serrão (doublebass), Marta Pereira da Costa (Portuguese guitar) and also the string quartet of Arlindo Silva.
It’s a magical setting. The stairs of Robillion, built in 1764, are crossed by emotions, feelings, images of life, Fado happening through the words of poets and in the inspired music and guitar of Mário Pacheco.

La confiance et la guitare d’absorption et les compositions de Mário Pacheco ne sont pas accidentelles. Ils reflètent son dévouement spécial à, engagement et prendre soin de l’art de la musique, en particulier Fado, fondée sur une tradition familiale.
Le fils du guitariste António Pacheco, qui a joué avec quelques-uns des meilleurs artistes de fado, Mário Pacheco bientôt dévoiler les mystères de l’accords de guitare et de la façon mélodique des compositions de Fado.
Ce talent né a été renforcée et élargie par l’étude de la théorie de musique et de guitare classique à l’Académie de Musique de Lisbonne.
Toutefois, il est le plus captivé par la guitare portugaise, instrument de musique, qui, selon ses propres termes, пїЅle plus expressif définit Fado”.
Il étudie les meilleurs joueurs de guitare avec dévouement: Armandinho, Artur Paredes, Carlos Paredes, Pedro Caldeira Cabral, et Fontes Rocha.
C’est comment il a obtenu les fondations, ce qui lui a permis de créer son propre style, à la fois en tant que guitariste, accompagnant les grandes voix de Amália Rodrigues, Alfredo Marceneiro, Herminia Silva, Tristão da Silva ou Max, avec qui son père a également joué, et , plus tard, en tant que compositeur.
Avec un tel fond musical, il inévitablement eu l’envie et l’inspiration pour composer, la pleine compréhension du format typique et les harmonies du fado.
Zel Carlos, Paulo de Carvalho, Varela Sofia Ana, Rodrigo Costa Félix, Mísia,
Joana Amendoeira, Camané, Mariza, et Amália, tous les interpréter ses mélodies.
En 1992, son premier album apparaît, “Um outro olhar” - “Un autre regard” - qui cherchent à traduire la façon dont la musique Mário Pacheco reflète une vision différente de la nostalgie et de la façon dont saudade - désir - et la tristesse croiser leurs chemins, d’une manière harmonieuse , l’ouverture à d’autres langages musicaux, pour Fado exprime et résume également plusieurs autres rythmes.
Pour cet album, qui est une caractéristique de l’histoire de la musique portugaise, suivi de “Guitarras ne fado” - “Fado guitares” - “Cantar Amalia” - “Chant Amalia” - et “Guitarra Portuguesa” - “portugaise Guitar”.
La guitare portugaise, la composition, et les environnements Fado continuer à lui inspirer et de guider ses pas.
Pendant ce temps, Mário Pacheco trouvé une place, dans le quartier historique d’Alfama, à côté de la cathédrale de Sé laïque de Lisbonne, où il crée un espace de référence pour Fado, et dédié à la création artistique.
Il l’appelle “Clube de Fado”.
En fait, c’est un club pour les gens de se rencontrer, discuter et échanger des idées dans un environnement Fado.
Dans cet espace où Fado se passe tous les soirs, la tradition est maintenue.
C’est là que Mário Pacheco voiles dans un voyage avec sa guitare ...
Son CD / DVD le reflet d’une пїЅescapadeпїЅ dans le milieu aristocratique du palais national de Queluz.
Dans ce spectacle, Mário Pacheco se souvient de ses пїЅmaîtresпїЅ: Carlos Paredes et José Fontes Rocha, composer deux morceaux instrumentaux en leur hommage, et invite les chanteurs de fado pour interpréter ses mélodies: Camané, Rodrigo Costa Félix, Ana Sofia Varela et Mariza, quatre insurmontables noms du fado, ainsi que les musiciens Carlos Manuel Proença (guitare), Rodrigo Serrão (contrebasse), Marta Pereira da Costa (guitare portugaise) et le quatuor à cordes de Arlindo Silva.
C’est un cadre magique. L’escalier de Robillion, construit en 1764, sont traversés par des émotions, des sentiments, des images de la vie, le fado passe à travers les mots des poètes et la musique inspirée et la guitare de Mário Pacheco.

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ДАЛЕЕ...

Artist: Egberto Gismonti
Album: Sol Do Meio Dia
Label: ECM (ecm 1116)
Year: 1978
Genre: Jazz, Brazilian Jazz, World Fusion
Format: FLAC
Time: 50:23
Size: ~215 MB incl. 3 % recovery (2 files)

The Brazilian multi-instrumentalist Egberto Gismonti drew his inspiration for this music from time he spent with the Xingu Indians in the Amazon, and it’s intended to invoke both their spirit and the experience of the jungle. Gismonti assembled some remarkable musicians for this 1977 recording—guitarist Ralph Towner, percussionists Nana Vasconcelos and Collin Walcott, and saxophonist Jan Garbarek—but he uses them sparingly. The opening “Palacio de Pinturas” is a gorgeous duet between Gismonti’s 8-string and Towner’s 12-string guitars, a music so tonally rich that it suggests multiple geographic sources. “Raga,” with Walcott on tabla, is more specific, with Gismonti’s rapid-fire runs suggesting a sitar, but his use of percussive harmonics is a new element. The long final track is a remarkably varied suite. It begins with a light trio that has Garbarek’s only appearance—a keening, soprano-saxophone solo—and includes “Sapain” for an ensemble of blown bottles with voices and wooden flute. Gismonti’s fascination with shifting instrumental colors creates consistently interesting music, combining traditions and sources into a novel musical space. (—Stuart Broomer, amazon.com)

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Artist: Oregon
Album: Music of Another Present Era
Label: Universe | Vanguard
Year: 1973
Genre: Jazz, Instrumental, Post-Bop, Folk Jazz, World Fusion
Format: FLAC
Time: 48:28
Size: ~236 MB incl. 3 % recovery (3 files)

Music of Another Present Era remains Oregon’s most enduring masterwork. Achieving a perfect balance of musical traditions from the East and West, ancient to future, they set the stage not only for a new transculturalism in jazz, but also created a lasting template for the fusion of musics from world traditions that would flower over a decade later. [...] This is fusion music, to be sure, but it’s the kind of fusion musicians have been trying unsuccessfully to emulate for decades. Music of Another Present Era is one of the most poetic and groundbreaking records to be released in the 1970s. —Thom Jurek, All Music Guide

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Jacinta - Autres chansons yiddish (1992)

Artist : Jacinta
Title Of Album : Autres chansons yiddish
Year Of Release : 1992
Label : Ocora (Radio France), Harmonia Mundi
Genre : Klezmer, Yiddish, Jewish & musique juive ;-)
Quality : Mp3, 300 kbps
Total Size : 3 files + 150 Mo
Booklet & Infos : French, Enlglish, spanish, Deutsch

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HOT CLUB SANDWICH - Ridin With Bob (2006)

Record Label: Hot Club Sandwich
Genre Gypsy Swing Country
Audio CD (December 19, 2006)
Original Release Date: December 14, 2006
Format Mp3 128~192 Kbps
Size 52.1 Mo with covers 300 dpi

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