RUS: Нравится слушать хорошую музыку? Добро пожаловать. Здесь ты обязательно найдешь то, что тебе по душе. К тому же здесь много твоих единомышленников.

Сделай сайт еще интереснее, возможно у тебя есть что-то, чем ты хотел бы поделиться.

Sonny Rollins - Jazz Master - Solo Transcription With Analysis (book & mp3) [by Djangowes] - waiting for moderation

Label: Discograph Records
Genre: Contemporary Jazz / Soul Jazz
Year Of Release: 2011
Format: mp3 Quality: CBR 320kbps
Size: 123.4 mb

ДАЛЕЕ...

Artist:  Oscar Peterson, Joe Pass, Niels-Henning Oersted Pedersen
Album: The Trio (Live at London House, Chicago)
Year: 1973
Quality: eac-flac, cue, log, full artwork
Size: 200.03 MB
Label: OJC (Remastered, 1998)
Runtime: 37:57

ДАЛЕЕ...

Little Kim & the Alley Apple 3-Riding the Rails(2009)

Label Indie
Genre Gypsy Swing Jazz Country
Years 11-2009
Format Mp3 320 Kbps
Size 21.7 -97.5 Mo

Wonderful news, boys and girls. Today, a nice guy came around with the first batch of our debut album “Riding the Rails”. We’re looking at it as we speak and we’re delighted! It took us two days to record and approximately 30 hours to mix it … and it sounds just the way we hoped it would sound. Most of the songs are Little Kim originals, performed according to our old family recipe :) a nice mixture of western swing, hot club and old fashioned hot jazz and cool swing.

The album was recorded on 9th and 23rd November 2009 at the “Closed Session Studio” in Roeselare (www.closedsession.ssr.be). Trumpets and violins were recorded on 22nd December at “Studio Flip Flap” in Gent.

http://littlekim.be/

http://www.youtube.com/watch?v=uK7lZSCvnXU

Thingamajig is a song out of our debut album: “Riding the Rails” (Little Kim & the Alley Apple 3).

It’s a funny little novelty song recorded by Johnnie Lee Wills and His Boys - Johnnie Lee being the brother of the legendary Bob Wills.

“Thingamajig” was written by well known songwriter Cindy Walker. “You Don’t Know Me” and “Dream Baby” are perhaps her two best known songs. The Johnny Lee version of the song was recorded on Feb. 3, 1952, at the KVOO studios, for RCA. Lead vocals by Julian “Curley” Lewis. Johnnie Lee Wills is asking the questions and singing on the trio part. Don Tolle on electric guitar, Tommy Elliott on steel guitar, Clarence Cagle on piano, Chuck Adams on bass, Waid Peeler on drums, Curley Lewis, Henry Boatman and James Guy “Cotton” Thompson on fiddle.

Machin est une des chanson de notre premier album: “Riding the Rails» (Little Kim & the Alley Apple 3).

C’est une chanson drôle de petite nouveauté enregistrées par Johnnie Lee Wills et ses garçons - Johnnie Lee était le frère du légendaire Bob Wills.

“machin” a été écrit par auteur-compositeur bien connu Cindy Walker. “You Don’t Know Me"et “Dream Baby” sont peut-être son meilleur deux chansons connues. La version de Johnny Lee, de la chanson a été enregistrée sur le 3 février 1952, dans les studios KVOO, pour RCA. Chanteur de Julian “Curley” Lewis. Johnnie Lee Wills est de poser les questions et le chant de la part trio. Don Tolle à la guitare électrique, Tommy Elliott à la guitare en acier, Clarence Cagle au piano, Chuck Adams à la basse, Waid Éplucheur à la batterie, Curley Lewis, Henry James et Guy Boatman “Coton” Thompson au violon.
Écouter
Lire phonétiquement
Nouveau ! Cliquez sur les termes ci-dessus pour voir d’autres traductions. Ignorer
Dictionnaire

http://littlekim.bandcamp.com/album/riding-the-rails

ДАЛЕЕ...

Jermaine Landsberger Trio-For Costa (1988)

Label Indies
Genre Gypsy Swing Jazz Manouche/ Musette
Years 01-1988 Munchen
Format Mp3 320 Kbps
Size 43.4-97.5 Mo
 
For CostaBebop pur/Loverman/For Costa/Sambamani/The man I love/Days of wine and roses/Sascha Blues/Stella by starlight/Blues for Ike/My one and only love

ДАЛЕЕ...

Artist: Fred Hersch
Album: The Fred Hersch Trio Plays…
Quality: eac-flac, cue, log, artwork
Size: 374 MB
Label: Chesky
Runtime: 63:15

ДАЛЕЕ...

Gismo Graf-Absolutely Gypsy (2010)

Label : Autoproduction
Genre Gypsy wing Jazz Manouche
Date de sortie : 16 novembre 2010
Format Mp3 320 Kbps
Size 192 Mo

publié par Francis Couvreux

Deuxième disque du jeune guitariste allemand Gismo Graf aujourd’hui âgé de 18 ans ; toujours solidement entouré, (papa Joschi à la guitare d’accompagnement (au chant sur deux titres) et le vétéran Jan Jankeje à la contrebasse), Gismo perpétue la tradition de la Musik Deutscher Sinti avec un répertoire sans grande surprise : les standards habituels (Them there eyes, Limehouse blues qu’on a peut-être un peu trop entendus), Sweet chorus de Django, la gitane de Tchan Tchou pas tout à fait envoyée comme Angélo ou Moréno, Coucou, thème assez peu joué, dans une relecture réussie ou mari gidli, chanson en romanès. Si le jeune Gismo a une grosse technique, ses doigts le démangent quelque peu et ça crépite de partout de façon un peu mécanique(cf China boy pris à 100 à l’heure). Il est plus convaincant quand ça se calme un peu, sur Festival Django par exemple, jolie ballade de sa composition ; il signe deux autres titres plus anecdotiques, Gismo swing prétexte à une avalanche de notes et une Ninon valse quelque peu tarabiscotée. Si Tony Lakatos, saxo sur 4 titres et Olaf Polziehn, piano sur 3 viennent rompre un peu la monotonie de la formule en trio, We’ve got a world that swings, chanté en anglais façon crooner pour thé dansant est quelque peu incongru dans le contexte. Si Gismo a quelques belles envolées (cf son chorus sur Donna Lee), son style manque encore de personnalité. On attend aussi un peu plus d’originalité dans la lignée de cette reprise réussie du Destinée de Romane avec thème guitare-sax à l’unisson suivi de questions réponses enlevées. A suivre tout de même.

Second disc of the young German guitarist Gismo Graf now aged 18, always firmly surrounded (Joschi Dad on guitar accompanying (vocals on two tracks) and veteran Jankeje January on bass), continues the tradition Gismo Musik Deutscher Sinti in a directory with no great surprise: the usual standards (Them There Eyes, Limehouse blues that has perhaps a little too heard), Sweet chorus of Django, the gypsy Tchan Tchou not quite sent or as Angelo Moreno, cuckoo, little theme played in a replay or successful husband GIDL, song books. If the young Gismo has a big technique, his fingers itch a little and it crackles across in a somewhat mechanical (see China boy taken at 100 per hour). Is more convincing when it calms down a bit on Django Festival for example, pretty ballad composition, he signed two other titles more anecdotal Gismo swing pretext for an avalanche of notes and a somewhat convoluted Ninon waltz. If Tony Lakatos sax on 4 tracks and Olaf Polziehn, piano on 3 come somewhat break the monotony of the formula as a trio, We’ve Got A World That Swings, sung in English crooner how to tea dance is somewhat incongruous in the context. If Gismo has some nice flights (see the chorus on Donna Lee), his style still lacks personality. It also expects a little more originality in the tradition of this successful resumption of Destiny Roman theme with guitar-sax in unison followed by questions and answers removed. To follow all the same.

ДАЛЕЕ...

Publisher: Wise Publications | ISBN: 071197053X | edition 1998 | PDF | 79 pages | 12,1 mb

Twenty-four of the best-loved and most requested jazz hits of all time. Includes ‘Storm y Weather’, ‘Round Midnight’, Fly Me To The Moon’ and ‘I’ m In The Mood For Love’

ДАЛЕЕ...

Andreas Oberg – Six String Evolution (2010)

Label: Resonance Records
Genre Jazz fusion
Date de sortie d’origine : 11 mai 2010
Durée totale: 1:03:27
Format Mp3 320 Kbps
Size 42.7-95 7 Mo

In the liner notes to Six String Evolution, Oberg states that the date features songs that fit his style - My opinion, of his style? He burns tastefully with a Bebop-singe over many genres. The material is diverse, featuring archtop, electric fusion and nylon string guitar-work on a variety of jazz and pop tunes. One of the many great things about the CD is that, even with the changes in instrumentation and style, there is a continuity of thought and vibe that make it easy to listen from beginning to end. Sadly, Oberg’s chops make me contemplate using my L-5 for firewood…He’s soooo good!

Andreas Oberg’s “Six String Evolution” CD features a host of fine players including Oberg on electric and acoustic guitars plus vocals on “Papa Gato” (penned by L.A.‘s own Poncho Sanchez). He has Darmon Meader on saxophone and vocals on “Maniac;” Filo Machado, vocals and vocal percussion; Dave Kikoski, Rhodes piano; John Patitucci, acoustic and electric basses; Decebal Badila, electric bass; Lewis Nash, drums; Charlie Bisharat, violins; Enzo Todesco, percussion; Antal Steixner, cajon; Marius Preda, cymbalom; and John Beasley, synthesizer, percussion, vibes.

Read more at      http://www.lajazz.com/blog19.cfm

Andreas Oberg «Six String Evolution” CD comporte une foule d’acteurs fine, y compris Oberg sur les guitares électriques et acoustiques, plus sa voix sur “Papa Gato” (écrit par Sanchez propre de Los Angeles Poncho).

Il a Darmon Meader au saxophone et au chant sur ​​«Maniac»; Filo Machado, chant et percussions vocales; Dave Kikoski, piano Rhodes, John Patitucci, basses acoustiques et électriques; Decebal Badila, basse électrique; Lewis Nash, tambours; Charlie Bisharat, violons ; Enzo Todesco, percussions; Antal Steixner, cajon, Marius Preda, cymbalum, et John Beasley, synthétiseur, percussions, vibraphone.

ДАЛЕЕ...

Jermaine Landsberger Trio feat.Stochelo Rosenberg -Live Altes Pfandhaus Cologne Germany 2011

No Label
Genre Gypsy Swing Jazz Manouche/ modern Jazz
Years 10-03-2011
Format VOB/ Avi
Size Rar
Vob 700 mo x 3-225 Mo
Avi 359 Mo
Time 60 min

»Das Klavier ist tot, es lebe die Orgel«, entfuhr es der »Jazzzeitung« noch ganz nach Fassung ringend nach einem Auftritt des deutschen Sinto Jermaine Landsberger. Seine perfekte Spieltechnik, sein untrüglicher Sinn für Melodik und Phrasierung und seine sprühende Musikalität haben ihm über Deutschland hinaus Aner­kennung eingebracht. Für die zweite CD und zahlreiche Konzerte in Deutschland und Frankreich konnte er den Stargitarristen Biréli Lagrène gewinnen. Stochelo Rosenberg steht diesem Ausnahmetalent in nichts nach - hat er doch schon als kleiner Junge Django Reinhardt so lange nachgeeifert, genauso gut zu werden. Man darf sich also auf einen heiteren, schönen Abend einschwingen, der ein wenig »Atmosphere like Hot Club de France« zaubert.

ДАЛЕЕ...

Hot Club Of Cowtown - Tall Tales (1999)

Label Hightone
Genre Gypsy Swing Country Jazz
Orig Year 1999
Release Date Aug 03, 1999
Format Mp3 320 Kbps
Size 90.8 Mo no covers

Kicking in with the instrumental bluegrass fiddle number “Draggin’ the Bow,” things get hotter when the Hot Club of Cowtown add a heap of period-style originals into their Western swing mix. There’s the Bourbon Street sound of “Emily” and “Darling You and I Are Through,” and then there are the standards like “Polka Dots and Moonbeams” and “Always and Always.” Old-timey country (“I Laugh When I Think How I Cried Over You” and “Red Hot Mama”) is yet another style in the Hot Club’s bag of successful tricks, which are authentic yet somehow absolutely fresh—and something to aspire to for the pack of neo-roots bands.

The Hot Club of Cowtown’s second album is as winning as their debut, released just a year prior. Furthermore, they’re exhibiting smart and meaningful growth. Their first original compositions are in amongst the fifteen tracks this time out. ...    Full DescriptionThere’s a fine track written by fiddler and vocalist Elana Fremerman, and a couple more by guitarist/singer Whit Smith. The rest of the material deftly mixes the trio’s love of American songcraft with their passion for western swing and the 1930s and ‘40s hot jazz of Django Reinhardt and Stephane Grappelli. They’ve also broadened the instrumental palette, with guest appearances on a few songs by Peter Ecklund on cornet, Joe Kerr on piano, and Marty Lester on an additional violin. The Hot Club is a tight and swinging combo that mixes amiable arrangements with prodigious instrumental skills.

Additional personnel includes: Joe Kerr (piano).

ДАЛЕЕ...

Artist:  Charlie Haden & Kenny Barron
Album: Night & The City
Released:  1998
Quality: lossless (FLAC tracks) / mp3 CBR 320
Size:  281 / 185 MB

The third in a series of Charlie Haden duet projects for Verve in the 1990s finds the increasingly nostalgia-minded bass player working New York City’s Iridium jazz club with pianist Kenny Barron. Moreover, it is entirely possible that we are getting a skewed view of the gig; according to Haden, he and his co-producer wife Ruth tilted this album heavily in the direction of romantic ballads, eliminating the bebop and avant-garde numbers that the two may have also played at the club. Be that as it may, this is still a thoughtful, intensely musical, sometimes haunting set of performances, with Barron displaying a high level of lyrical sensitivity and Haden applying his massive tone sparingly. Most of the seven tracks are fantasias on well-known standards, although one of the most eloquent performances on the disc is Barron’s playing on his own “Twilight Song.” If Haden deliberately set out to create a single reflective mood, he certainly succeeded, although those coming to Haden for the first time through this and most of his other ‘90s CDs would never suspect that this man once played such a fire-breathing role in the jazz avant-garde.. ~ Richard S. Ginell

ДАЛЕЕ...

CD | EAC Rip | FLAC (Tracks) + Cue + Log + Covers | Rar 3% Rec. | 388.8 MB
Genre: Jazz, Funk, Soul | Label: Polystar

TrackList:
1 - Winds of Change
2 - Midnight Blue
3 - It’s My Thing
4 - Love Is Strange
5 - Knock on Wood
6 - The Long Way Home
7 - Blues for J.O.S.
8 - I’ll Just Keep Holding On
9 - Leave No Child
10 - It Was Groovy in There (Relaxin’ at Camarillo)
11 - Bee’s Blues

ДАЛЕЕ...

Artist: Bob James
Album: One
Quality: eac-flac, cue, log, artwork
Size: 216 MB
Label: Tappan Zee (1996)
Runtime: 33:49

ДАЛЕЕ...