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Sonny Rollins - Jazz Master - Solo Transcription With Analysis (book & mp3) [by Djangowes] - waiting for moderation

Artist: Charlie Barnet & His Orchestra
Album: Swell & Super
Year:  1996
Label: Drive Archive
Genre: Jazz
Quality: Flac
Size: 136 Mb

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Artist:  Mathias Eick
Album: Skala
Released:  2011
Quality: lossless (FLAC)
Size:  227 MB

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Ferenc Snetberger &Tony Lakatos Live In Japan -Acoustic World (2009)

Label:VTCD
Genre Gypsy Swing Jazz
Year: 2007
release:2009
Time:64:29
Format Mp3 320 Kbps
Size 43.1 Mo 95.7 Mo

Live at Musashino Civic Cultural Hall In Tokyo

Release notes:

Mit Tony Lakatos verbinden Snétberger die ungarische Herkunft, die Roma-Wurzeln, eine jahrzehntelange Freundschaft und eine erfolgreiche Zusammenarbeit, z.B. auf Lakatos’ Album „Gypsy Colors“. Der Saxophonist, seit 1999 festes Mitglied der HR Bigband, ist nicht nur ein begehrter Sideman (Al Foster, Jasper van’t Hof, Wolfgang Haffner u.v.a.), sondern war mit seinen eigenen Alben „Recycling“ und „The News“ auch im US-Jazz-Radio ganz oben platziert.

Pressestimmen
Connect with Tony Lakatos the Hungarian Snétberger origin, the Roma roots, a decades-long friendship and a successful cooperation, such as on Lakatos’ album “Gypsy Colours”. The saxophonist, big band since 1999, a permanent member of the HR is not only a sought-after sideman (Al Foster, Jasper van’t Hof, Wolfgang Haffner and many others), but was with his own albums “recycling” and “The News” in the U.S. Jazz radio placed at the top.

Connectez-vous avec Tony Lakatos l’origine hongroise Snétberger, les racines des Roms, une amitié longue de plusieurs décennies et une coopération fructueuse, tels que sur l’album de Lakatos “Gypsy Couleurs”. Le saxophoniste, big band depuis 1999, un membre permanent de la RH n’est pas seulement un recherchés sideman (Al Foster, van’t Jasper Hof, Wolfgang Haffner et bien d’autres), mais avec ses propres albums “recyclage ” et “Les Nouvelles” aux Etats-Unis Jazz radio placé au sommet.

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Gismo Graf-Absolutely Gypsy (2010)

Label : Autoproduction
Genre Gypsy wing Jazz Manouche
Date de sortie : 16 novembre 2010
Format Mp3 320 Kbps
Size 192 Mo

publié par Francis Couvreux

Deuxième disque du jeune guitariste allemand Gismo Graf aujourd’hui âgé de 18 ans ; toujours solidement entouré, (papa Joschi à la guitare d’accompagnement (au chant sur deux titres) et le vétéran Jan Jankeje à la contrebasse), Gismo perpétue la tradition de la Musik Deutscher Sinti avec un répertoire sans grande surprise : les standards habituels (Them there eyes, Limehouse blues qu’on a peut-être un peu trop entendus), Sweet chorus de Django, la gitane de Tchan Tchou pas tout à fait envoyée comme Angélo ou Moréno, Coucou, thème assez peu joué, dans une relecture réussie ou mari gidli, chanson en romanès. Si le jeune Gismo a une grosse technique, ses doigts le démangent quelque peu et ça crépite de partout de façon un peu mécanique(cf China boy pris à 100 à l’heure). Il est plus convaincant quand ça se calme un peu, sur Festival Django par exemple, jolie ballade de sa composition ; il signe deux autres titres plus anecdotiques, Gismo swing prétexte à une avalanche de notes et une Ninon valse quelque peu tarabiscotée. Si Tony Lakatos, saxo sur 4 titres et Olaf Polziehn, piano sur 3 viennent rompre un peu la monotonie de la formule en trio, We’ve got a world that swings, chanté en anglais façon crooner pour thé dansant est quelque peu incongru dans le contexte. Si Gismo a quelques belles envolées (cf son chorus sur Donna Lee), son style manque encore de personnalité. On attend aussi un peu plus d’originalité dans la lignée de cette reprise réussie du Destinée de Romane avec thème guitare-sax à l’unisson suivi de questions réponses enlevées. A suivre tout de même.

Second disc of the young German guitarist Gismo Graf now aged 18, always firmly surrounded (Joschi Dad on guitar accompanying (vocals on two tracks) and veteran Jankeje January on bass), continues the tradition Gismo Musik Deutscher Sinti in a directory with no great surprise: the usual standards (Them There Eyes, Limehouse blues that has perhaps a little too heard), Sweet chorus of Django, the gypsy Tchan Tchou not quite sent or as Angelo Moreno, cuckoo, little theme played in a replay or successful husband GIDL, song books. If the young Gismo has a big technique, his fingers itch a little and it crackles across in a somewhat mechanical (see China boy taken at 100 per hour). Is more convincing when it calms down a bit on Django Festival for example, pretty ballad composition, he signed two other titles more anecdotal Gismo swing pretext for an avalanche of notes and a somewhat convoluted Ninon waltz. If Tony Lakatos sax on 4 tracks and Olaf Polziehn, piano on 3 come somewhat break the monotony of the formula as a trio, We’ve Got A World That Swings, sung in English crooner how to tea dance is somewhat incongruous in the context. If Gismo has some nice flights (see the chorus on Donna Lee), his style still lacks personality. It also expects a little more originality in the tradition of this successful resumption of Destiny Roman theme with guitar-sax in unison followed by questions and answers removed. To follow all the same.

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Artist: Jimmy Forrest
Album: Night Train
Quality: eac-flac, cue, log, artwork
Label: Delmark (1990)
Runtime: 49:10
Genre: jazz

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Artist: Archie Shepp
Album: Yasmina, A Black Woman
Quality: eac-flac, cue, log, artwork
Size: 253 MB
Label: Charly (1995)
Runtime: 40:43

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CD | EAC Rip | FLAC (Tracks) + Cue + Log + Covers | Rar 3% Rec. | 388.8 MB
Genre: Jazz, Funk, Soul | Label: Polystar

TrackList:
1 - Winds of Change
2 - Midnight Blue
3 - It’s My Thing
4 - Love Is Strange
5 - Knock on Wood
6 - The Long Way Home
7 - Blues for J.O.S.
8 - I’ll Just Keep Holding On
9 - Leave No Child
10 - It Was Groovy in There (Relaxin’ at Camarillo)
11 - Bee’s Blues

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Artist: Charles Lloyd (with Keith Jarrett and Jack DeJohnette)
Album: Forest Flower / Soundtrack
Label: Rhino
Year: 1968
Genre: Jazz, Hard Bop, Post-Bop, Saxophone
Format: FLAC
Time: 77:01
Size: ~394 MB incl. 3 % recovery (4 files); Scans in separate file: ~17 MB
AMG Rating: 5 stars (out of 5) AMG Pick

The reissue combines two live albums, 1967’s Forest Flower: Charles Lloyd at Monterey and 1969’s Soundtrack on one CD. The earlier release was one of the few jazz albums to sell a million copies, and it owed its popularity not only to its suggestions of bohemian romanticism but also to the strength of Lloyd’s writing and to the empathic interplay between the leader and his then-unknown bandmates, pianist Keith Jarrett and drummer Jack DeJohnette. The three recorded the very similar Soundtrack two years later.  —Geoffrey Himes, amazon.com

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Artist: Chuck Mangione
Album: The Feeling’s Back
Quality: eac-flac, cue, log, artwork
Size: 344 MB
Label: Chesky (High Resolution Technology, 1999)
Runtime: 57:00

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Artist: David Murray
Album: Ballads
Quality: eac-flac, cue, log, artwork
Size: 276 MB
Label: DIW Records
Runtime: 46:32

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Artist: Gilad Atzmon & The Orient House Ensemble
Album: Gilad Atzmon & The Orient House Ensemble
Quality: eac-flac, cue, log, artwork
Size: 274 MB
Label: Enja
Runtime: 57:34
Genre: jazz, ethnic fusion

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Artist: Louis Armstrong and His All Stars
Album: Ambassador Satch
Year: 1955-56
Quality: eac-flac, cue, log, artw.
Size: 229 MB
Label: Columbia (Original Jazz Classics, 2009)
Runtime: 54:12

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Artists: Mal Waldron and Marion Brown
Album: Much More!
Label: Free Lance (FRL CD-010)
Year: 1989
Genre: Jazz, Modern Jazz, Piano-Saxophone duos, Standards
Format: FLAC
Time: 48:58
Size: ~210 MB incl. 3% recovery (3 files)
This post is dedicated to the memory of Marion Brown, one of the casualties of 2010, who passed away last October. Here are some extracts from the New York Times article:

Marion Brown, a saxophonist whose lyrical, low-key style made him a distinctive presence in the high-energy jazz avant-garde of the 1960s and ’70s, died Monday in Fort Lauderdale, Fla. He was 79.

His death, in a hospice, was confirmed by his son, Djinji. Mr. Brown had been treated for a variety of illnesses in recent years and had been living in an assisted-living home in Hollywood, Fla.

Mr. Brown, whose main instrument was alto saxophone, was a key figure in the movement that came to be known as free jazz, an approach to improvisation that challenged conventional notions of harmony, rhythm, pitch and pretty much everything else.

He first attracted wide attention as a member of the 11-piece ensemble featured on John Coltrane’s influential and controversial album “Ascension.” That album, recorded in 1965 and released in 1966, signaled Coltrane’s commitment to free jazz and, while it drew as much criticism as praise, helped give legitimacy to what had been largely an underground phenomenon.

By that time Mr. Brown had been participating in the avant-garde for a while, having worked with the tenor saxophonist Archie Shepp (who introduced him to Coltrane), the idiosyncratic pianist and bandleader Sun Ra and other musicians who were pushing the boundaries of jazz. Mr. Brown soon began leading sessions for ESP-Disk, ECM, Impulse and other labels, developing a style as melodic as it was adventurous. ~ Peter Keepnews, New York Times, 24 Oct 2010

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